{"id":363,"date":"2016-07-27T03:40:39","date_gmt":"2016-07-27T03:40:39","guid":{"rendered":"http:\/\/josemanuellosada.com\/en\/libros"},"modified":"2025-03-09T08:43:15","modified_gmt":"2025-03-09T08:43:15","slug":"books","status":"publish","type":"page","link":"https:\/\/josemanuellosada.com\/en\/books","title":{"rendered":"Books"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ background_color=”#fcfcfc” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” padding_mobile=”off” global_colors_info=”{}”][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_post_title meta=”off” featured_image=”off” admin_label=”T\u00edtulo de publicaci\u00f3n” _builder_version=”4.16″ title_font=”Open Sans|on|||” title_text_color=”#613927″ title_font_size=”30px” title_all_caps=”off” text_orientation=”center” global_colors_info=”{}”][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”20px|||” custom_css_main_element=”border-top-right-radius: 30px;||border-top-left-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2024\/03\/Portada.jpg” title_text=”Portada” url=”https:\/\/www.akal.com\/libro\/mitocritica-cultural_52395\/” url_new_window=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.19.5″ max_width=”180px” custom_margin=”|||40px” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.19.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|10px||10px” hover_enabled=”0″ locked=”off” inline_fonts=”Arvo” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Mito: teor\u00edas de un concepto controvertido<\/b>, Jos\u00e9 Manuel Losada y Antonella Lipscomb (eds.), Madrid, Sial Pigmali\u00f3n<\/a>, 2024, 131 pp. ISBN 978-84-19928-03-0.<\/p>\n

Awarded with the International Prize of Thought and Essay “Aristotle” 2023.<\/p>\n

Presentation: Complutense University (28\/02\/2024).<\/p>\n

\u2015\u00a0<\/span>El Diario de Madrid<\/a><\/i>\u00a0<\/span>(07\/02\/2024).<\/p>\n

\u2015\u00a0Mi Ciudad Real<\/a><\/i>\u00a0<\/span>(08\/02\/2024).<\/p>\n

\u2015\u00a0La Opini\u00f3n de Zamora<\/a><\/i>\u00a0<\/span>(14\/02\/2024).<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/11\/Mitocritica-cultural-portada.jpg” title_text=”Mitocr\u00edtica cultural portada” url=”https:\/\/www.akal.com\/libro\/mitocritica-cultural_52395\/” url_new_window=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ max_width=”180px” custom_margin=”|||40px” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.19.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|10px||10px” hover_enabled=”0″ locked=”off” inline_fonts=”Arvo” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

<\/span><\/p>\n

Mitocr\u00edtica cultural: Una definici\u00f3n del mito<\/strong><\/a>, Jos\u00e9 Manuel Losada, Madrid, Ediciones Akal, 2022, 832 pages. ISBN: 978-84-46-05267-8.<\/p>\n

Summary<\/strong><\/h4>\n
\n

This first omnicomprehensive theory of myth provides a methodology, a hermeneutics, and an epistemology: it gives clear guidelines to locate the myth in any mythical story, proposes heuristic keys for its objective interpretation, and provides myth criticism with a solid basis to claim itself as an autonomous science.<\/p>\n

Presentations:<\/strong><\/p>\n

\u2015\u00a0Universidad Complutense<\/a><\/span> (27\/10\/2022).<\/p>\n

\u2015\u00a0Librer\u00eda Berl\u00edn (Valencia, 18\/05\/2023).<\/p>\n

\u2015\u00a0Librer\u00eda Inusual (Granada, 25\/05\/2023).<\/p>\n

\u2015\u00a0Biblioteca de Filosof\u00eda y Letras (Universidad de Granada<\/a><\/span>, 26\/05\/2023).<\/p>\n

\u2015\u00a0\u00c1mbito Cultural de El Corte Ingl\u00e9s (Badajoz, 20\/10\/2023); rese\u00f1a en Infoprovincia<\/a><\/em><\/span>.<\/p>\n

 <\/p>\n

Reviews:<\/strong><\/p>\n

\u2015\u00a0\u1f38<\/em>lu. Revista de Ciencias de las Religiones<\/em><\/a> (ISSN-e: 2174-5218), 28 (2023), pp. 1-2 (https:\/\/dx.doi.org\/10.5209\/ilur.86808<\/a>, e-ISSN: 1988-3269), Enrique Santos Marinas.<\/p>\n

\u2015\u00a01616: Anuario de Literatura Comparada<\/em><\/a>, 14 (2024), pp. 342-345 (ISSN: 2445-2262), Laura Castillo Bel.<\/p>\n

\u2015\u00a0Actio Nova. Revista de Teor\u00eda de la Literatura y Literatura Comparada<\/em><\/a>, 7 (2023), pp. xxviii-xxxii (ISSN 2530-4437, https:\/\/doi.org\/10.15366\/actionova2023.7<\/a>), Isabel Gonz\u00e1lez Gil.<\/p>\n

\u2015\u00a0Amaltea. Revista de Mitocr\u00edtica<\/em><\/a><\/span>, 15 (2023), pp. 1-3 (ISSN-e: 1989-1709, https:\/\/dx.doi.org\/10.5209\/amal.87547<\/a><\/span>), Roxana Mart\u00ednez Nieto.<\/p>\n

\u2015\u00a0Anales de Filolog\u00eda Francesa<\/em><\/a><\/span>, 32 (2024), pp. 250-253 (e-ISSN: 1989-4678; impreso: 0213-2958, https:\/\/doi.org\/10.6018\/analesff.607131<\/a><\/span>), Natalia Gonz\u00e1lez de la Llana.<\/p>\n

\u2015\u00a0Bajo Palabra. Revista de Filosof\u00eda<\/em><\/a><\/span>, 34 (2023), \u00e9poca II, pp. 489-492 (e-ISSN: 1887-505X, https:\/\/doi.org\/10.15366\/bp2023.34<\/a><\/span>), Jon Mentxakatorre Odriozola.<\/p>\n

\u2015\u00a0Castilla. Estudios de Literatura<\/em><\/a><\/span>, 15 (2024), pp. 854-857 (https:\/\/doi.org\/10.24197\/cel.15.2024.854-857<\/a><\/span>), Carolina L\u00f3pez Fic.<\/p>\n

\u2015 \u00c7\u00e9dille. Revista de Estudios Franceses<\/em><\/a>, 24 (2003), pp. 595-599 (ISSN 1699-4949, https:\/\/doi.org\/10.25145\/j.cedille.2023.24.31<\/a>), Adriana Lasti\u010dov\u00e1.<\/p>\n

\u2015\u00a0CompLit. Journal of European Literature, Arts and Society<\/em><\/a>, 7 (2024), 1, pp. 211-215, Mythical Narratives in Comparative European Literature \/ Le r\u00e9cit mythique dans la litt\u00e9rature europ\u00e9enne compar\u00e9e<\/em>, Jos\u00e9 Luis Miras.<\/span><\/p>\n

\u2015\u00a0Complutense Journal of English Studies<\/em><\/a><\/span>, 32 (2024), pp. 1-2 (ISSN-e: 2386-3935, https:\/\/dx.doi.org\/10.5209\/cjes.92384<\/a><\/span>), Laura Navajas.<\/p>\n

\u2015\u00a0Cuadernos de Filolog\u00eda Cl\u00e1sica. Estudios griegos e indoeuropeos<\/em><\/a><\/span>, 34 (2024), pp. 273-274 (ISSN 1131-9070), https:\/\/dx.doi.org\/10.5209\/cfcg.94474<\/a><\/span>, \u00d3scar Mart\u00ednez Garc\u00eda.<\/p>\n

\u2015\u00a0Cuadernos de Informaci\u00f3n y Comunicaci\u00f3n<\/em><\/a><\/span>, 29 (2024): p. 181 (ISSN: 1135-7991, https:\/\/dx.doi.org\/10.5209\/ciyc.96585<\/a><\/span>).<\/p>\n

\u2015\u00a0Dicenda<\/em>. Estudios de lengua y literatura espa\u00f1olas<\/em><\/a><\/span>, 41 (2023), pp. 261-263 (ISSN-e 1988-2556, http:\/\/dx.doi.org\/10.5209\/dice.91637<\/a><\/span>), Mehmet Ilg\u00fcrel.<\/p>\n

\u2015\u00a0Estudios Cl\u00e1sicos (Sociedad Espa\u00f1ola de Estudios Cl\u00e1sicos)<\/em><\/a>, 164 (2023), pp. (e-ISSN: 2445-0537, https:\/\/doi.org\/10.48232\/eclas.164.17<\/a>), Bego\u00f1a Cadi\u00f1anos Mart\u00ednez.<\/p>\n

\u2015\u00a0Europe and Orient. Journal of Historical and Cultural Interactions<\/em><\/a>, 1 (2023), pp. 139-142 (ISSN 2815-4894), Jos\u00e9 Manuel Correoso.<\/p>\n

\u2015\u00a0Hypercultura (Hyperion University, Ruman\u00eda)<\/em><\/a>, 12 (2023), pp. 2-5 (ISSN 2559-2025), Jaime Segura San Miguel.<\/p>\n

\u2015\u00a0La Raz\u00f3n<\/em><\/a><\/span> (\u201cEl poder del mito\u201d), 04\/01\/2023, David Hern\u00e1ndez de la Fuente.<\/p>\n

\u2015\u00a0Man of Bronze<\/em><\/a><\/span>, 19\/12\/2022, Pedro Angosto.<\/p>\n

\u2015 Minerva. Revista de Filolog\u00eda Cl\u00e1sica<\/em><\/a><\/span>, 37 (2024), pp. 187-191 (ISSN 2530-6480; https:\/\/doi.org\/10.24197\/mrfc.37.2024.181-185<\/a><\/span>). Encarna Fern\u00e1ndez G\u00f3mez.<\/p>\n

\u2015\u00a0Revista Complutense de Educaci\u00f3n<\/em><\/a><\/span>, 35(3), 2024, pp. 683-684 (ISSN: 1549-2230 \/ e-ISSN: 1549-2230, https:\/\/dx.doi.org\/10.5209\/rced.96239<\/a><\/span>), Mercedes P\u00e9rez Agust\u00edn.<\/p>\n

\u2015\u00a0Revista de Filolog\u00eda Alemana<\/em><\/a><\/span>, 32 (2024), pp. 155-157 (ISSN: 1133-0406; https:\/\/dx.doi.org\/10.5209\/arab.98082<\/a><\/span>), Alfonso Lombana S\u00e1nchez.<\/p>\n

\u2015\u00a0Revista de Filolog\u00eda Rom\u00e1nica<\/em><\/a><\/span>, 41 (2024), pp. 193-194 (ISSN: 0212-999X; https:\/\/dx.doi.org\/10.5209\/rfrm.96916<\/a><\/span>), Silviano Carrasco Yelmo.<\/p>\n

\u2015\u00a0Revista de Literatura<\/em><\/a><\/span>, 85, 170 (2023), pp. 699-719 (ISSN: 0034-849X), Xiana Sotelo.<\/p>\n

\u2015\u00a0Revue de Litt\u00e9rature Compar\u00e9e<\/em><\/a><\/span>, 392 (2024), pp. 494-499 (ISSN: 1965-0264; https:\/\/doi.org\/10.3917\/rlc.392.0111<\/a><\/span> ), Mar\u00eda del Carmen Lechosa Maldonado.<\/p>\n

\u2015\u00a0RILCE. Revista de Filolog\u00eda Hisp\u00e1nica<\/em><\/a><\/span>, 39.2 (2023), pp. 801-804 (ISSN-e: 2174-0917, https:\/\/doi.org\/10.15581\/008.39.2.801<\/a><\/span>), Mar\u00eda Flores-Fern\u00e1ndez.<\/p>\n

\u2015\u00a0Studia mythologica Slavica<\/em><\/a><\/span>, 27 (2024), pp. 215-218 (Print: ISSN 1408-6271 \/ Online: ISSN 1581-128X), (Jos\u00e9 Manuel Correoso).<\/p>\n

\u2015\u00a0Tropel\u00edas. Revista de Teor\u00eda de la Literatura y Literatura Comparada<\/em><\/a><\/span>, 41 (2024), pp. 189-190 (ISSN-e 2255-5463), Mar\u00eda del Carmen Lechosa.<\/p>\n

 <\/p>\n

Interviews:<\/strong><\/p>\n

\u2015\u00a0RTVE-La 2<\/em><\/a><\/span>, Documental, productora: Anita G. Wonham, 4\/12\/2024.<\/p>\n

\u2015 Revista de Letras<\/em><\/a><\/span>, Berta Ares, 22\/10\/2022.<\/p>\n

\u2015\u00a0Radio Intereconom\u00eda<\/em><\/a><\/span> (\u201cEl marcap\u00e1ginas\u201d), David Felipe Arranz, 29\/11\/2022.<\/p>\n

\u2015\u00a0Medievo<\/em> (Twitch)<\/a><\/span>, Santiago Ramos Garc\u00eda, 18\/02\/2023.<\/p>\n

\u2015\u00a0El Cultural<\/em><\/a><\/span> (\u201cEs el mito, est\u00fapido\u201d, El Espa\u00f1ol<\/em>), 20\/09\/2022, Berta Ares.<\/p>\n

\u2015\u00a0El Debate<\/em><\/a><\/span>, Adri\u00e1n Gonz\u00e1lez, 01\/03\/2023.<\/p>\n

\u2015\u00a0El Confidencial<\/em><\/a><\/span> (\u201cAlma, coraz\u00f3n y vida\u201d), Ada Nu\u00f1o, 23\/06\/2023. Traducida, con introducci\u00f3n original, por Brikena Smajli, en Exlibris<\/em>, n.\u00ba 243<\/a><\/span>, Albania (29\/07\/2023).<\/p>\n

\u2015\u00a0La Opini\u00f3n de Zamora<\/em><\/a><\/span>, 04\/02\/2023, Beatriz Blanco Garc\u00eda.<\/p>\n<\/div>\n

[\/et_pb_text][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=BcORPStvQAU&ab_channel=JOSEMANUELLOSADAGOYA” _builder_version=”4.16″ _module_preset=”default” max_width=”90%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.19.5″ _module_preset=”default” locked=”off” global_colors_info=”{}”]<\/p>\n

“Presentation at the Complutense University” (27\/10\/2022)<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/03\/Esperides-portada-300×300.jpg” title_text=”Esp\u00e9rides portada” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ max_width=”180px” custom_margin=”|||40px” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|10px||10px” locked=”off” inline_fonts=”Arvo” global_colors_info=”{}”]<\/p>\n

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El Jard\u00edn de las Hesp\u00e9rides: del mito a la belleza<\/strong>, Jos\u00e9 Manuel Losada (ed.), Cat\u00e1logo de la Exposici\u00f3n de Luis Priego en el c arte c (Centro de Arte Complutense), Madrid, Ediciones Complutense, 2022, 111 pp. ISBN: 978-84-09-36855-6.<\/p>\n

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Summary<\/strong><\/h4>\n
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The catalogue (111 color pages) includes all the works from the exhibition of oil paintings by the painter Luis Priego, displayed at c arte c (Centro de Arte Complutense), Madrid, from January 20 to April 4, 2022. It also includes texts by various personalities, as well as a Prologue by the exhibition’s curator, Jos\u00e9 Manuel Losada.<\/p>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/01\/Mito-y-ciencia-ficcion2.jpg” title_text=”Mito-y-ciencia-ficcion2″ align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ max_width=”180px” custom_margin=”|||40px” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|10px||10px” inline_fonts=”Arvo” global_colors_info=”{}”]<\/p>\n

<\/span><\/b>Mito y ciencia ficci\u00f3n<\/strong><\/a>,<\/span>\u00a0<\/span><\/b>Jos\u00e9 Manuel Losada & Antonella Lipscomb (eds.), Madrid (Espa\u00f1a)<\/span>, Sial Pigmali\u00f3n, 2021, 143 p. ISBN: 978-84-18888-12-0.<\/span><\/p>\n

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Summary<\/strong><\/h4>\n
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Myth and science fiction seek to explain the world, to answer everlasting questions: the origin of life and cause of death. But explanations are not sufficient for mankind: one wants to make approving or condemning judgements. Myth as well as science fiction project contradictions in unprecedented circumstances with an aim to adhere or condemn. Given the
projective capacity of our imagination, we put forward improbable scenarios that allow us to see in a new light the consequences of a future situation.
<\/o:p><\/p>\n

https:\/\/sialpigmalion.es\/libro\/mito-y-ciencia-ficcion\/<\/a><\/span><\/p>\n

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<\/span><\/b>Myth and Audiovisual Creation<\/strong><\/a>,<\/span>\u00a0<\/span><\/b>Jos\u00e9 Manuel Losada & Antonella Lipscomb (eds.), Berlin (Germany)<\/span>, Logos Verlag, 2019, 224 p. ISBN: 978-3-8325-4966-4.<\/span><\/p>\n

\u00a0<\/div>\n
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Summary<\/strong><\/h4>\n
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Our aim is to understand if myth has been directly affected by the digital revolution and to what extent it has retained its original essence or whether it has mutated to new forms.<\/span><\/p>\n

These articles tackle films and television series that devote a considerable part to the impact of transcendence in our lives. They show that myth continues to be a particularly suitable tool for the knowledge of our society and of ourselves.<\/p>\n

https:\/\/www.logos-verlag.de\/cgi-bin\/engbuchmid?isbn=4966&lng=deu&id=<\/a><\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2017\/12\/ME-Cover.jpeg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ max_width=”180px” custom_margin=”|||40px” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|10px||10px” global_colors_info=”{}”]<\/p>\n

Myth and Emotio<\/a><\/span>ns<\/a><\/span><\/strong>, edited by\u00a0<\/span>Jos\u00e9 Manuel Losada & Antonella Lipscomb<\/span>, Newcastle upon Tyne (United Kingdom), Cambridge Scholars Publishing, 2017, xviii-345 p. ISBN: 978-1-5275-0011-2.<\/span>7.<\/p>\n

Summary<\/strong><\/h4>\n

<\/strong>The emotive nature of myth lays the foundation of the research proposed for this trilingual volume. The book aims to provide a study, as wide and thorough as possible, that brings guidelines and models capable of interpreting the mythical-emotional phenomena. Its implementation will be of great help to understand an important part of the writing and art of modernity and post-modernity, as well as cultures and thought of our current society.<\/o:p><\/span><\/p>\n

http:\/\/www.cambridgescholars.com\/myth-and-emotions<\/span><\/a><\/span><\/o:p><\/span><\/span><\/p>\n

https:\/\/www.academia.edu\/35427330\/Myth_and_Emotions<\/a><\/p>\n

Reviews<\/strong><\/h4>\n

\u2015\u00a0Amaltea. Revista de Mitocr\u00edtica<\/em>\u00a0<\/span>(Madrid), 10, 2018, p. 129-131, Esther Bautista Naranjo.<\/p>\n

http:\/\/revistas.ucm.es\/index.php\/AMAL\/article\/view\/61015\/4564456547727<\/a><\/p>\n

http:\/\/dx.doi.org\/10.5209\/AMAL.61015<\/a><\/p>\n

\u2015\u00a0\u201cMitokritika in sodobna literarna veda\u201d,\u00a0<\/span>Primerjalna knji\u017eevnost<\/em>\u00a0<\/span>(Ljubljana, Slovenija), 41, 3, 2018, p. 59-76, Metka Zupan\u010di\u010d (vid<\/em>. p. 70-73).<\/p>\n

https:\/\/ojs.zrc-sazu.si\/primerjalna_knjizevnost\/article\/view\/7149\/6669<\/a><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/Teresa.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ max_width=”180px” custom_margin=”|||40px” animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|10px||10px” global_colors_info=”{}”]<\/p>\n

Cinco siglos de Teresa. La proyecci\u00f3n de la vida y los escritos de Santa Teresa de Jes\u00fas. Actas selectas del Congreso Internacional “Y tan alta vida espero. Santa Teresa o la llama permanente. De 1515 a 2015”<\/a>,\u00a0<\/strong>Esther Borrego and\u00a0Jos\u00e9 Manuel Losada eds., Madrid, Fundaci\u00f3n M\u00aa Cristina Masaveu Peterson, 2016, 366 p. ISBN: 978-84-617-7170-7.<\/p>\n

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Video<\/a><\/strong><\/div>\n
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Review<\/strong><\/h4>\n

\u2015\u00a0Atrio. Revista de Historia del Arte<\/em>\u00a0<\/span>(Sevilla), 23, 2017, p. 172-174, Celia Redondo Blasco.<\/p>\n

https:\/\/www.upo.es\/revistas\/index.php\/atrio\/article\/view\/3774\/2992<\/a><\/p>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/08\/Mitos-de-hoy.jpg” alt=”Mitos de hoy” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ max_width=”180px” custom_margin=”|||40px” animation=”off” saved_tabs=”all” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|10px||10px” global_colors_info=”{}”]<\/p>\n

Mitos de hoy.\u00a0Ensayos de mitocr\u00edtica cultural, estudios reunidos y presentados por Jos\u00e9 Manuel Losada<\/strong><\/a>, Berlin, Logos Verlag, 2016, 211 p. ISBN: 978-3-8325-4239-9.<\/p>\n

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Summary<\/strong><\/h4>\n
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Cultural Myth Criticism, the new proposal that it is offered here, combines traditional tools of myth criticism with factors not systematically considered by previous criticism: globalization, immanence<\/g><\/g> and consumerism. Thus it provides a modest contribution to the task of identifying, analyzing and synthesizing the typology of the manifestations of myth in literature, the arts<\/g><\/g> and contemporary media. It wants to make easier the task of understanding ourselves in this bewildering world.<\/p>\n

Index<\/a><\/strong><\/p>\n

<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Reviews<\/strong><\/h4>\n

\u2015\u00a0Journal of Comparative Literature and Aesthetics<\/em> (Odisha, India), 29, 1-2, 2016, p. 143-145, Manuel Botero Camacho.<\/p>\n

https:\/\/www.hse.ru\/mirror\/pubs\/lib\/data\/access\/ram\/ticket\/0\/1545601012dec252c56bdbb3d1a5bd24f469d0e3e0\/JCLA_2016.pdf<\/a><\/p>\n

\u2015\u00a0<\/em><\/span>\u2019Ilu. Revista de Ciencias de las Religiones<\/em> (Madrid), 21, 2016, p. 271-273, Borja Cano Vidal.<\/p>\n

http:\/\/dx.doi. org\/10.5209\/ILUR.53862<\/span><\/p>\n

http:\/\/revistas.ucm.es\/index.php\/ILUR\/article\/view\/53862\/49306<\/a><\/span><\/p>\n

\u2015\u00a0<\/span>Cuadernos de Informaci\u00f3n y Comunicaci\u00f3n<\/em> (Madrid), 22, 2017, p. 319-320, Esther Bautista Naranjo. http:\/\/dx.doi.org\/10.5209\/CIYC.55986<\/a>\u00a0 http:\/\/revistas.ucm.es\/index.php\/CIYC\/article\/view\/55986\/50718<\/a> <\/span><\/p>\n

\u2015\u00a0Amaltea, Revista de Mitocr\u00edtica<\/em> (Madrid), 9, 2017, p. 87-89, Cristina Salcedo Gonz\u00e1lez.<\/span><\/p>\n

http:\/\/revistas.ucm.es\/index.php\/AMAL\/article\/view\/57182\/51581<\/a><\/span><\/p>\n

http:\/\/dx.doi.org\/10.5209\/AMAL.57182<\/a><\/span><\/p>\n

\u2015\u00a0Minerva, Revista de Filolog\u00eda Cl\u00e1sica<\/em> (Valladolid), 31, 2018, p. 291-294, Carlos S\u00e1nchez P\u00e9rez.<\/span><\/p>\n

https:\/\/doi.org\/10.24197\/mrfc.31.2018.291-294<\/a><\/span><\/p>\n

https:\/\/revistas.uva.es\/index.php\/minerva\/article\/view\/1161<\/a><\/span><\/p>\n

\u2015\u00a0\u201cMitokritika in sodobna literarna veda\u201d, Primerjalna knji\u017eevnost<\/em> (Ljubljana, Slovenija), 41, 3, 2018, p. 59-76, Metka Zupan\u010di\u010d (vid<\/em>. p. 70-73).<\/p>\n

https:\/\/ojs.zrc-sazu.si\/primerjalna_knjizevnost\/article\/view\/7149\/6669<\/a><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/08\/Myth-in-crisis.jpg” alt=”Myths in Crisis” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ max_width=”180px” custom_margin=”|||40px” animation=”off” saved_tabs=”all” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|10px||10px” global_colors_info=”{}”]<\/p>\n

Myths in Crisis: The Crisis of Myth<\/b>, Newcastle upon Tyne, Cambridge Scholars Publishing, 2015, xxix-441 p. ISBN: 978-1-4438-7814-2.<\/p>\n

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