[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ background_color=”#fcfcfc” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” global_colors_info=”{}”][et_pb_row admin_label=”Fila” _builder_version=”4.19.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″ global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”T\u00edtulo H1 fondo blanco” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”T\u00edtulo H2 fondo blanco” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/01\/Definitivo_Logotipo-Aglaya-06.png” alt=”Proyecto Acis&Galatea” title_text=”Definitivo_Logotipo Aglaya-06″ url=”http:\/\/acisgalatea.com” url_new_window=”on” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ width=”50%” max_width=”50%” module_alignment=”center” custom_margin=”|5px||5px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”off” sticky=”off” locked=”off” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|5px||30px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
Aglaya,\u00a0Innovation Strategies in Cultural Myth Criticism<\/a> (ref. H2019\/HUM-5714), funded by the Autonomous Community of Madrid and the European Social Fund. Duration: 01\/01\/2019-01\/01\/2022.<\/p>\n <\/p>\n The AGLAYA Project (\u201cInnovation Strategies in Cultural Myth-Criticism\u201d) has as its main objective the proposal of a new typology of myths and their imaginary correlates (fantasy, magic, manga-anime, science-fiction). To achieve this, it will investigate the imaginary realm of fiction worlds (depending on the categories of immanence and transcendence) through their corresponding genres of expression (mythological, fantastic, magical, gothic, science fiction, etc.) within artistic disciplines (film, TV series, video games, manga-anime, comic\/graphic novel, etc.) born in the 20th and 21st centuries.<\/p>\n <\/p>\n The Project is eminently interdisciplinary. It includes literature, plastic, musical and entertainment arts, cinema, translation and interpretation, communication and design, philosophy, epigraphy and history of religions. Gender ratio is: 65.16% women and 34.84% men, from 12 countries and 36 universities.<\/p>\n 115 researchers take part in the project, integrated within 13 beneficiary groups: Myth-Criticism Research Group (ACIS, coord.), Corpus Inscriptionum Latinarum (CIL II), Russian Complutense Studies (ERC), Transversal Studies on Contemporary Creation (ETCC), Influences of Greek Ethics on Contemporary Philosophy (GREEK ETHICS), Eco-Criticism and Environmental Humanities (GIECO), Historiography and History of Religions (HHR), Innovation and Image Analysis (IAI), Communicative Structures and Multiple Communicative Interactions (INTERCOM), Interculturality and Translation Studies (INTRA), English Language Poetics (POETICS), Reception Studies (RECEPTION), and Studies on Intermediality and Intercultural Mediation (SIIM). These groups belong to the Madrid universities Complutense, Alcal\u00e1, Aut\u00f3noma, Carlos III, Francisco de Vitoria, Comillas Pontifical University, and Antonio de Nebrija.<\/p>\n The project includes 21 partner associations and non-profit foundations (ADIREL, ARYS, ASTERIA, AWM, Ayto. de Pozuelo, CdG, CELEC, CLAI, CLE, CMS, CRLC, CUTAMC, FilEsp, FNC, GIREA, ICR, ISTA, PASTOR, PONS, SEEC, and SEyTA) as well as 6 interested companies and private enterprises (Brismar, Spanish-Japanese Chamber of Commerce, FCE, Mediaset, Serendipia Bookshop, and Smart Residences).<\/p>\n With regards to the project, the groups have effectively contributed to the training of young researchers -174 theses directed; to mobility -335 national and international exchanges; to participation in networks and consortiums -672 participations in research projects; to the academic transfer of the results -598 published books and 3,338 articles or chapters- and other forms of dissemination -2,565 contributions to congresses, 53 of them coordinated by project members.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”T\u00edtulo H2 fondo blanco” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/ACIS.jpg” alt=”Acis, grupo de investigaci\u00f3n de mitocr\u00edtica” url=”http:\/\/www.ucm.es\/acis” url_new_window=”on” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ custom_margin=”|5px||5px” use_border_color=”off” border_color=”#000000″ border_style=”solid” animation=”off” sticky=”off” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|5px||30px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n The Research Group “ACIS. Myth Criticism Research” was established on 28th October 2009 with the following objectives:<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”T\u00edtulo H2 fondo blanco” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/Amaltea.jpg” alt=”Amaltea. Revista de mitocr\u00edtica” url=”http:\/\/revistas.ucm.es\/index.php\/AMAL” url_new_window=”on” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ custom_margin=”|5px||5px” use_border_color=”off” border_color=”#000000″ border_style=”solid” animation=”off” sticky=”off” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|5px||30px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n Amaltea<\/em> is a myth criticism online journal. It offers a free annual issue about the reception of ancient, medieval and modern myths in contemporary Western literature.<\/p>\n The languages used are English, Spanish and French. The journal does not have its own critical approach. Amaltea only publishes original articles. The high standard of the editorial process which has been used in the selection of the original articles guarantees the quality of the journal. The journal is published by the Universidad Complutense de Madrid.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”T\u00edtulo H2 fondo blanco” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/Asteria-banner.jpg” alt=”Asteria, asociaci\u00f3n internacional de mitocr\u00edtica” url=”http:\/\/asteriamyth.com” url_new_window=”on” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ custom_margin=”|5px||5px” use_border_color=”off” border_color=”#000000″ border_style=”solid” animation=”off” sticky=”off” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|5px||30px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n The specific aim of the Association is to promote, encourage and support studies of myth criticism, regarding both the development of new theoretical and epistemological tools that may strengthen this discipline, as well as the presence of classical, medieval, modern and contemporary myths in contemporary literature and in the visual, performing and audiovisual contemporary arts. It will also pay attention to the creation, disappearance and impact of myths in contemporary society.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”T\u00edtulo H2 fondo blanco” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/acisgalatea.png” alt=”Proyecto Acis&Galatea” url=”http:\/\/acisgalatea.com” url_new_window=”on” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Imagen” _builder_version=”4.16″ custom_margin=”|5px||5px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”off” sticky=”off” global_colors_info=”{}”] [\/et_pb_image][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|5px||30px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n ACIS&GALATEA. Research Activities in Myth Criticism <\/a>(ref. H2015\/HUM-3362), funded by the Autonomous Community of Madrid and the European Social Fund. Duration: 01\/01\/2016-30\/06\/2019.<\/p>\n <\/p>\n The Acis&Galatea Project aims to demonstrate the intimate relationship that has linked mythology and the contemporary cultural configuration of the region and the city of Madrid, of Spain, and of Europe (and of Western civilization, if the research requires it) in the 20th and 21st centuries. To this end, this Project will focus on examining myths and legends as manifested in tourism, in festivities, and in the cultural and entertainment industry. By doing this, the more specific aim pursued is to determine the social impact that mythology and legends have today upon entertainment, tourism, festivities and the environmental attitude of citizens from different social strata and social associations from Madrid, Spain and Europe.<\/p>\n <\/p>\n The Project is fundamentally interdisciplinary. This is due to the composition of the different groups that are integrated in it, but also because of the different media analyzed, namely: literature, fine arts, performing arts and folklore festivities. 66,95% of our members are women, 33,05% men, all coming from 10 countries and 30 universities.<\/p>\n The Project is made up of ten beneficiary research groups: ACIS (Research Group for Myth Criticism), CIL II (Corpus Inscriptionum Latinarum), ETICASGRIEGAS (Influence of Greek Ethics on Contemporary Philosophy), GIAP (Research Group for Heritage and Popular Culture), GIECO (Ecocriticism), IAI (Image, Innovation and Analysis), INTRA (Studies on Discourses and Texts for Interpretation and Translation), POETICS (Poetics in English), RECEPTION (Resarch Group for Reception Studies), and SIIM (Studies in Intermediality and Intercultural Mediation). These groups are ascribed to different universities from Madrid, namely: Complutense (3), Alcal\u00e1 (3), Aut\u00f3noma (1), Francisco de Vitoria (1), Pontificia de Comillas (1), and to CSIC (1). The Project is also integrated by three associated research groups: CLE (U. of Lausanne), CRLC (Paris-Sorbonne University) and EFI (U. of Zaragoza).<\/p>\n Six non-profit associations have joined the Acis&Galatea Project (ADIREL, ARTE, ASTERIA, AWM, CLAI and SEEC); also, two foundations (PASTOR and PONS), three companies (BRISMAR, LIBFRAN and NORA) and\u2014in agreement with the BOCM 176, Tit. 1, Art. 5, 1, c, p. 37\u2014five researchers from our field of research (R. Gualberto, J.-J. Wunenburger, M\u00aa J. Mart\u00edn, L.A. P\u00e9rez and H. Jennings), under the acronym DORIS (Group of Associated Researchers).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”T\u00edtulo H2 fondo blanco” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|5px||30px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n Research project: New forms of the myth: an interdisciplinary methodology <\/a>(2012-2015). Spanish Ministry of Economy and Competitiveness, ref. FFI2012-32594<\/p>\n <\/p>\n As a consequence of these changes, the methodology of traditional myth criticism has become ineffective and insufficient. Consequently, what is needed is a new methodology in myth criticism that, without excluding the achievements of traditional myth criticism, would give an account of myth at the present time and propose it as a tool to interprete the contemporary society.<\/p>\n This myth criticism involves, among others, the following requirements:<\/p>\n The project team includes:<\/p>\n The expected result is the creation of a new myth criticism methodology, non-existent in the present international scene, that will allow us to understand the complexity of the myth and its manifestations in contemporary time.<\/p>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”T\u00edtulo H2 fondo blanco” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|5px||30px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n Research project: Contemporary mythical anthropology<\/a> (2007-2011). Spanish Ministry of Education and Science, ref. n\u00ba. HUM. 2007 – 62226.<\/p>\n <\/p>\n This is a project of great importance in which I supervised 30 researchers from different fields, including 10 young lecturers and 15 postgraduate students. Together, we successfully analysed the influence of ancient, medieval, modern and contemporary myths in the 20th-century European Literature. Some of the results of this research can be seen in the volume Mito y mundo contempor\u00e1neo (see Books<\/a>). The project concluded with the International Conference on Myth and Subversion in the Contemporary Novel<\/a> (March 2011), where 90 academic experts from 25 countries have been working on. The minutes of the conference, with a selection of the best presented works, will be published by Cambridge Scholars Publishing.<\/p>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n The \u201cContemporary Mythical Anthropology\u201d Project aims to explore our reception of myths from the end of the 19th century to the present day. The field of study is literature: novels, plays and poetry offer unique insights into the archetypes, symbols and myths which shape our thoughts and our imaginary world. The concept of myth can be used in any of its meanings (philosophical, cultural, ethnological, religious, psychoanalytical or linguistic); the only requirement is that the critical currents should be used consistently in each study.<\/p>\n The project pays particular attention to myths inherited from the ancient world (Narcissus, Phaedra, Orpheus), to the great medieval and modern myths (Faust, Don Juan) and to other mythical formulations: philosophical (the eternal return), religious (the Grail), typical (El Cid) or social (the Empire, the Marxism). As in ancient and modern times, writers of today have turned to mythical imagery to express their aporias and their desires. They do it in a critical, fragmentary or subversive way, but always differently.<\/p>\n This project tries to discern the ways in which myths are adapted to our contemporary mentality (translation, version, rejection, subversion), to identify those myths which are still relevant to women and men today and, finally, to discover why some myths have stopped being applicable, while others, after acquiring a more contemporary veneer, are perfectly suited to represent our aspirations and frustrations.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”T\u00edtulo H2 fondo blanco” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_color=”#faf4e9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_css_main_element=”border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto anchura 95%” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”95%” custom_margin=”|5px||30px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n Research project: \u201cA\u00a0comparative, annotated bibliography of the 17th-century French-Spanish literature\u201d (1992-1995). Ref. Spanish Ministry of Education and Science PS91-0182.<\/p>\nPresentation<\/b><\/h4>\n<\/div>\n<\/div>\n
Groups Involved<\/b><\/h4>\n
Acis.\u00a0Myth Criticism Research Group<\/strong><\/span><\/h2>\n
\n
Amaltea.\u00a0Journal of Myth Criticism<\/strong><\/span><\/h2>\n
Asteria,\u00a0International Association of Myth Criticism<\/strong><\/span><\/h2>\n
Acis&Galatea Project<\/strong><\/span><\/h2>\n
Presentation<\/b><\/h4>\n<\/div>\n<\/div>\n
Groups Involved<\/b><\/h4>\n
New Forms of the Myth: an Interdisciplinary Methodology<\/strong><\/span><\/h2>\n
Scientific Objectives<\/strong><\/h4>\n
\n
\n
\n
Contemporary Mythical Antropology<\/strong><\/span><\/h2>\n
Presentation<\/strong><\/h4>\n
Scientific Proposal<\/b><\/h4>\n
\u00a0A Comparative, Annotated Bibliography of the 17th-Century French-Spanish Literature<\/strong><\/span><\/h2>\n