{"id":2512,"date":"2025-06-24T14:09:46","date_gmt":"2025-06-24T14:09:46","guid":{"rendered":"https:\/\/josemanuellosada.com\/organization-of-conferences-seminars-and-round-tables"},"modified":"2026-06-29T23:11:46","modified_gmt":"2026-06-29T23:11:46","slug":"organization-of-conferences-seminars-and-round-tables","status":"publish","type":"page","link":"https:\/\/josemanuellosada.com\/en\/organization-of-conferences-seminars-and-round-tables","title":{"rendered":"Organization of conferences, seminars and round tables"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #333399;\"><strong> Organized <\/strong><strong>Conferences<\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Conference &#8220;For a critique of the myth from Latin America&#8221;<\/strong><\/span><\/h2>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong><span style=\"font-size: 14pt;\">Octubre 2024<\/span><\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_code _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<\/p>\n<style><!-- [et_pb_line_break_holder] -->  \/* ==========================================================================<!-- [et_pb_line_break_holder] -->     HOJA DE ESTILOS GLOBAL - CONGRESOS, SEMINARIOS Y MESAS REDONDAS<!-- [et_pb_line_break_holder] -->     ========================================================================== *\/<!-- [et_pb_line_break_holder] --><!-- [et_pb_line_break_holder] -->  \/* Estructura de Tarjeta Contenedora Principal *\/<!-- [et_pb_line_break_holder] -->  .proyecto-card {<!-- [et_pb_line_break_holder] -->    background: #ffffff !important;<!-- [et_pb_line_break_holder] -->    border-radius: 12px !important;<!-- [et_pb_line_break_holder] -->    padding: 40px !important;<!-- [et_pb_line_break_holder] -->    box-shadow: 0 10px 30px rgba(0, 0, 0, 0.04) !important;<!-- [et_pb_line_break_holder] -->    border: 1px solid #e2e8f0 !important;<!-- [et_pb_line_break_holder] -->    max-width: 850px !important;<!-- [et_pb_line_break_holder] -->    margin: 30px auto !important;<!-- [et_pb_line_break_holder] -->    font-family: inherit !important;<!-- [et_pb_line_break_holder] -->    box-sizing: border-box !important;<!-- [et_pb_line_break_holder] -->  }<!-- [et_pb_line_break_holder] --><!-- [et_pb_line_break_holder] -->  \/* Forzado Est\u00e9tico de Enlaces Corporativos *\/<!-- [et_pb_line_break_holder] -->  .proyecto-card a {<!-- [et_pb_line_break_holder] -->    color: #1e3a8a !important;<!-- 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sola columna *\/<!-- [et_pb_line_break_holder] -->      gap: 15px !important;<!-- [et_pb_line_break_holder] -->    }<!-- [et_pb_line_break_holder] -->    \/* Fuerza a los elementos colapsados de ancho doble a ocupar solo 1 columna en m\u00f3vil *\/<!-- [et_pb_line_break_holder] -->    .proyecto-blocks-grid div[style*=\"grid-column: span 2\"],<!-- [et_pb_line_break_holder] -->    .proyecto-blocks-grid div[style*=\"grid-column:span 2\"] {<!-- [et_pb_line_break_holder] -->      grid-column: span 1 !important;<!-- [et_pb_line_break_holder] -->    }<!-- [et_pb_line_break_holder] -->    .proyecto-title {<!-- [et_pb_line_break_holder] -->      font-size: 21px !important;<!-- [et_pb_line_break_holder] -->    }<!-- [et_pb_line_break_holder] -->    .proyecto-subtitle {<!-- [et_pb_line_break_holder] -->      font-size: 18px !important;<!-- [et_pb_line_break_holder] -->    }<!-- [et_pb_line_break_holder] -->  }<!-- [et_pb_line_break_holder] --><\/style>\n<p>[\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2025\/06\/Captura-de-pantalla-2025-06-23-121643.png&#8221; title_text=&#8221;Captura de pantalla 2025-06-23 121643&#8243; url=&#8221;https:\/\/sites.google.com\/upr.edu\/pachamama\/inicio&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      VIII International Conference on Myth Criticism<br \/>\n    <\/h2>\n<h3 class=\"proyecto-subtitle\" style=\"color: #475569; font-size: 18px; margin-top: -5px; font-weight: 600;\">\n      I International Colloquium of the Latin American Network of Myth Criticism Pachamama<br \/>\n    <\/h3>\n<p class=\"proyecto-meta\">\n      <strong>Core Focus:<\/strong> Institutional convergence on cultural myth criticism between European frameworks and Latin American imaginaries.\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Presentation and Genesis<\/h3>\n<p class=\"proyecto-text\">\n    Since its inception in the 1960s, myth criticism has evolved considerably within literary and cultural studies. At the dawn of the 21st century, this theoretical trajectory was completed through the formulation of <strong>Cultural Mythcriticism<\/strong>\u2014meticulously developed by Professor Jos\u00e9 Manuel Losada. This framework offers an interdisciplinary and holistic paradigm, under which the ACIS Research Group has successfully spearheaded seven landmark international conferences since 2011.\n  <\/p>\n<p class=\"proyecto-text\">\n    During the VII Conference held in Madrid (October 2022), a group of international scholars founded a parallel research network tailored to shared regional inquiries: What is the home and role of myth in Latin American cultures? Are the theories of myth developed in Europe sufficient for American realities? To address these questions and deepen the study of the American imaginary, the <strong>Latin American Network of Myth Criticism Pachamama<\/strong> was born, working in close harmony with its sister association, <em>Asteria. International Association of Myth Criticism<\/em>.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Scientific Axes &amp; Calls for Proposals<\/h3>\n<p class=\"proyecto-text\" style=\"margin-bottom: 20px;\">\n    To foster active academic debate, Pachamama RLM and Asteria AIM invite researchers to submit their proposals structured around three core thematic lines:\n  <\/p>\n<h4 class=\"proyecto-minititle\" style=\"color: #1e3a8a; border-bottom: 2px solid #e2e8f0; padding-bottom: 5px; margin-top: 10px;\">\n    Axis 1: Myth and Epistemological Matters<br \/>\n  <\/h4>\n<p class=\"proyecto-text\" style=\"font-size: 14.5px; color: #64748b; margin-bottom: 12px;\">\n    Focuses on theoretical concerns deeply connected to viceroyal and colonial history, exploring the clash of civilizations and the friction between indigenous knowledge and imported European religious or scientific paradigms.\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Myths and pre-Columbian religions: the complex problems surrounding their recovery.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Theorizations, methods, and specific Latin American objects of study for myth criticism.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">From ethnography to myth criticism: exploring shared communication vessels.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Classical European mythology and its reception within contemporary American cultures.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Culture, magic, and foundational mythic structures within the Latin American imaginary.<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<h4 class=\"proyecto-minititle\" style=\"color: #1e3a8a; border-bottom: 2px solid #e2e8f0; padding-bottom: 5px;\">\n    Axis 2: Cultural Expressions of Myths<br \/>\n  <\/h4>\n<p class=\"proyecto-text\" style=\"font-size: 14.5px; color: #64748b; margin-bottom: 12px;\">\n    Traces the diverse manifestations of mythic narratives as they travel through different artistic media, shifting from historical oral delivery to performance, rituals, text, and screens.\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">The recovery of ancient myths and archetypal mythical figures in modern literature.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Myths and religious pantheons of Ancient America as represented in the plastic arts.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Cinema and modern audiovisual media as primary vehicles of cultural recovery.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Oral traditions and the structural survival of myths in marginalized environments.<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<h4 class=\"proyecto-minititle\" style=\"color: #1e3a8a; border-bottom: 2px solid #e2e8f0; padding-bottom: 5px;\">\n    Axis 3: Myths and Their Political Range<br \/>\n  <\/h4>\n<p class=\"proyecto-text\" style=\"font-size: 14.5px; color: #64748b; margin-bottom: 12px;\">\n    Examines the political dimension where myths serve to construct historical, state-sanctioned discourses, touching upon the boundaries of post-truth, gender, and ecology.\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 15px;\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">America, Abya Yala, or Cem Anahuac: how an entire continent is semiotically invented.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Coexistence of humans, gods, and non-human entities in Latin American societies.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Myths, political manipulation, ideological structures, and post-truth dynamics.<\/p>\n<\/div><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p class=\"text-small\">Myths as functional mechanisms in the processes of recovering historical memory.<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<div class=\"font-highlight\" style=\"margin-bottom: 0;\">\n    <strong>Pachamama, Myth, and Ecology:<\/strong> Special critical focus will be granted to the conceptualization of the Earth as a living, sacred entity. This panel tackles the intersection between ancient ecological mythologies and modern political responses to global climate crises.\n  <\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Conference \u201cMyth: Theories of a Controversial Concept\u201d<\/strong><\/span><\/h2>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong><span style=\"font-size: 14pt;\">October 2022<\/span><\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/11\/VII-conference.jpg&#8221; alt=&#8221;Mito y emociones&#8221; title_text=&#8221;VII conference&#8221; url=&#8221;https:\/\/mythcriticism.com\/inicio-mito-ciencia-ficcion\/&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Imagen&#8221; _builder_version=&#8221;4.16&#8243; width=&#8221;60%&#8221; max_width=&#8221;60%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|5px||5px&#8221; animation=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;] [\/et_pb_image][et_pb_video src=&#8221;https:\/\/www.youtube.com\/watch?v=2rIGwNdl73k&#038;t=9s&#038;ab_channel=Aglaya&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;50%&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][et_pb_button button_url=&#8221;https:\/\/mythcriticism.com\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;VII Conference Website&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; custom_button=&#8221;on&#8221; button_text_color=&#8221;#00208A&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      VII International Conference on Myth Criticism<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Core theme:<\/strong> &#8220;Myth: Theories of a Controversial Concept&#8221; | <strong>Research Framework:<\/strong> Aglaya Research Program (Ref: H2019\/HUM-5714)\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Presentation<\/h3>\n<p class=\"proyecto-text\">\n    The VII International Conference on Myth Criticism \u201cMyth: Theories of a Controversial Concept\u201d is an academic initiative developed under the framework of the <a href=\"http:\/\/acisgalatea.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Aglaya Research Program<\/a>, funded by the Community of Madrid and the European Social Fund.\n  <\/p>\n<p class=\"proyecto-text\">\n    Led by the <em><a href=\"http:\/\/www.ucm.es\/acis\" target=\"_blank\" rel=\"noopener noreferrer\">ACIS Research Group<\/a><\/em> (the coordinating cluster of the Aglaya Program), this international gathering relied on its long-standing collaboration with <em><a href=\"https:\/\/asteriamyth.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Asteria. International Association of Myth Criticism<\/a><\/em> and <em><a href=\"http:\/\/revistas.ucm.es\/index.php\/AMAL\" target=\"_blank\" rel=\"noopener noreferrer\">Amaltea. Journal of Myth Criticism<\/a><\/em>. The conference was successfully held from October 25th to 28th, 2022.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Scientific Proposal<\/h3>\n<p class=\"proyecto-text\">\n    The existing bibliography on modern reworkings of mythical narratives is immense: Greco-Latin myths in adventure novels, cinematic adaptations of Celtic, Norse, or Slavic lore, TV series, comics, and the complex cross-cultural links between Eastern and Western traditions. However, this vast list is disproportionately large compared to the significantly smaller body of work dedicated to the actual <strong>theories of myth<\/strong>.\n  <\/p>\n<p class=\"proyecto-text\">\n    This clear imbalance stems from the difficulty of abstracting general criteria. To define a myth, critics must strip a narrative of its spatial, temporal, and circumstantial conditioning before safely applying the theoretical label of &#8220;myth&#8221; to any given story.\n  <\/p>\n<h4 class=\"proyecto-minititle\">Contemporary Challenges in Defining Myth<\/h4>\n<p class=\"proyecto-text\" style=\"margin-bottom: 15px;\">\n    The conference addresses the main theoretical obstacles that complicate the study of myth for academic researchers and the public alike:\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Socio-Cultural Relativism<\/strong><\/p>\n<p class=\"text-small\">The pressures of globalization, the dogmas of radical relativism, and the internal logics of immanence muddy structural boundaries, leading to a profound contemporary confusion regarding the core concept of myth.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Reductionist Applications<\/strong><\/p>\n<p class=\"text-small\">Following the footprints of historic psychoanalysts and ideologues, researchers frequently reduce myth to individual sublimations, social deformations, or political propaganda, while media sensationalism treats any popular fallacy or lie as a &#8220;myth.&#8221;<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Overlapping Domains of the Imaginary<\/strong><\/p>\n<p class=\"text-small\">A prevailing critical challenge is the indiscriminate blurring of boundaries across distinct domains of the human imaginary. Coherent, rigorous studies are urgently needed to dispel this vagueness and establish solid distinctions separating esotericism, fantasy, science fiction, and genuine mythology.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"font-highlight\">\n    <strong>A Non-Impositive Methodology:<\/strong> All these systemic challenges call for a well-founded, securely defined notion of myth. Developing a clean baseline definition is the only way researchers can properly interpret mythical narratives objectively, preventing critics from pre-imposing onto literary texts exactly what they already intend to discover in them.\n  <\/div>\n<p class=\"proyecto-text text-conclusion\" style=\"margin-bottom: 0;\">\n    <strong>Conference Objective:<\/strong> By gathering leading international experts, the 7th International Conference aimed to provide answers to these fundamental epistemological questions, establishing precise, contemporary criteria for the academic critique of the imaginary.\n  <\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Fila&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;T\u00edtulo H2 fondo blanco&#8221; _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Conference \u201cMyth and Science Fiction\u201d<\/strong><\/span><\/h1>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong><span style=\"font-size: 14pt;\">October 2020<\/span><\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/01\/Banner-espanol.jpg&#8221; alt=&#8221;Mito y emociones&#8221; title_text=&#8221;Banner espa\u00f1ol&#8221; url=&#8221;https:\/\/mythcriticism.com\/inicio-mito-ciencia-ficcion\/&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Imagen&#8221; _builder_version=&#8221;4.16&#8243; width=&#8221;40%&#8221; max_width=&#8221;40%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|5px||5px&#8221; animation=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;] [\/et_pb_image][et_pb_video src=&#8221;https:\/\/www.youtube.com\/playlist?list=PLDReQVfa6SiY4DNzgHJ3EuMTdBKR3d85X&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;50%&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][et_pb_button button_url=&#8221;https:\/\/mythcriticism.com\/inicio-mito-ciencia-ficcion\/&#8221; button_text=&#8221;VI Conference Website&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; custom_button=&#8221;on&#8221; button_text_color=&#8221;#00208A&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      VI International Conference on Myth Criticism<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Core theme:<\/strong> &#8220;Myth and Science Fiction&#8221; | <strong>Research Framework:<\/strong> Aglaya Research Program (Ref: H2019\/HUM-5714)\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Presentation<\/h3>\n<p class=\"proyecto-text\">\n    The VI International Conference on Mythcriticism \u201cMyth and Science Fiction\u201d is a major academic initiative developed under the auspices of the <a href=\"http:\/\/acisgalatea.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Aglaya Research Program<\/a>, funded by the Community of Madrid and the European Social Fund.\n  <\/p>\n<p class=\"proyecto-text\">\n    Led by the <em><a href=\"http:\/\/www.ucm.es\/acis\" target=\"_blank\" rel=\"noopener noreferrer\">ACIS Research Group<\/a><\/em> (the main coordinating cluster of the Aglaya Program), this international gathering relied on the permanent co-organizational support of <em><a href=\"https:\/\/asteriamyth.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Asteria. International Association of Myth Criticism<\/a><\/em> and <em><a href=\"http:\/\/revistas.ucm.es\/index.php\/AMAL\" target=\"_blank\" rel=\"noopener noreferrer\">Amaltea. Journal of Myth Criticism<\/a><\/em>. The sessions were successfully hosted online and on-site from October 27th to 30th, 2020.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Scientific Proposal<\/h3>\n<p class=\"proyecto-text\">\n    It is a common platitude that myth and science fiction are poor companions. While this bold statement attempts to carve out distinct academic boundaries, it requires careful nuance. Both myth and science fiction seek to explain the cosmos and answer humanity&#8217;s everlasting questions: the ultimate origins of life and the inescapable causes of death.\n  <\/p>\n<p class=\"proyecto-text\">\n    Rather than offering simple explanations, both narratives project human contradictions into unprecedented circumstances, forcing us to make value judgments. Through the projective capacity of our imagination, they put forward improbable scenarios that allow us to view the consequences of future situations in an entirely new light.\n  <\/p>\n<h4 class=\"proyecto-minititle\">Anxieties of Our Time: Shared Narrative Vessels<\/h4>\n<p class=\"proyecto-text\" style=\"margin-bottom: 15px;\">\n    Much like ancient mythology, science fiction acts as a mirror for contemporary existential apprehensions, capturing the cultural anxieties of the industrial and digital ages:\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Nuclear Catastrophe<\/strong><\/p>\n<p class=\"text-small\">The terrifying, immeasurable consequences of playing with primeval forces and modern weaponry, iconographically embodied by figures like <em>Godzilla<\/em>.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Exodus and Spatial Colonies<\/strong><\/p>\n<p class=\"text-small\">The looming ecological collapse or resource exhaustion driving the absolute necessity to leave Earth behind (e.g., Dick&#8217;s <em>Do Androids Dream of Electric Sheep?<\/em>).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>The Excesses of Empirical Science<\/strong><\/p>\n<p class=\"text-small\">The profound biological fear of corporate overreach and the questionable manipulation of human identity through cloning, genetics, and synthetic life forms (e.g., <em>The Island<\/em>).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"font-highlight\">\n    <strong>The Attempted Usurpation of Myth:<\/strong> Ever since the dawn of the Industrial Revolution, these extraordinary scenarios have been largely claimed by science fiction. As empirical science progresses exponentially, the relentless growth of sci-fi appears to threaten the very existence of traditional myth, mimicking a narrative takeover or substitution of sacred functions.\n  <\/div>\n<p class=\"proyecto-text\">\n    Where does myth start and where does it end? How far can science fiction expand? What specific meanings emerge where these two powerful narratives intersect? When analyzing these boundaries, the ultimate criterion to distinguish myth from science fiction remains <strong>the nature of transcendence<\/strong> inherent to each case.\n  <\/p>\n<div class=\"proyecto-text text-conclusion\" style=\"margin-bottom: 0; display: flex; align-items: center; gap: 10px;\">\n    <span style=\"font-size: 20px; line-height: 1;\">\ud83d\udcc4<\/span><\/p>\n<div>\n      <strong>Extended Document:<\/strong> For a deeper dive into the methodology and thematic panels of this conference, you can download the full framework text:<br \/>\n      <a href=\"https:\/\/mythcriticism.com\/wp-content\/uploads\/2019\/11\/Scientific-Justification-Myth-and-Science-Fiction.pdf\" target=\"_blank\" rel=\"noopener noreferrer\" style=\"margin-left: 5px;\"><br \/>\n        Check the complete Scientific Proposal (PDF)<br \/>\n      <\/a>.\n    <\/div>\n<\/p><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Fila&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;T\u00edtulo H2 fondo blanco&#8221; _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Conference \u201cMyth and Audiovisual Creation\u201d<\/strong><\/span><\/h1>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong><span style=\"font-size: 14pt;\">October 2018<\/span><\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2019\/04\/Mito-y-creaci\u00f3n-audiovisual.jpg&#8221; alt=&#8221;Mito y emociones&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Imagen&#8221; _builder_version=&#8221;4.16&#8243; custom_margin=&#8221;|5px||5px&#8221; animation=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;] [\/et_pb_image][et_pb_video src=&#8221;https:\/\/www.youtube.com\/watch?v=8SccvDd-2Ok&#038;list=PLDReQVfa6SiYdjZCc9FPshnGKNy_gP9Cw&#038;index&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;50%&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      V International Conference on Myth Criticism<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Core theme:<\/strong> &#8220;Myth and Audiovisual Creation&#8221; | <strong>Research Framework:<\/strong> Acis &amp; Galatea Research Program (Ref: S2015\/HUM-3718)\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Presentation &amp; Decentralized Venues<\/h3>\n<p class=\"proyecto-text\">\n    The V International Conference on Mythcriticism \u201cMyth and Audiovisual Creation\u201d represents an extensive scientific milestone designed as a decentralized network of research across four major university campus sites according to targeted mythic typologies:\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Germanic Myths<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd University of Alcal\u00e1 (UAH)<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Classical Myths<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd Universidad Aut\u00f3noma de Madrid (UAM)<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Biblical Myths<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd Universidad Francisco de Vitoria (UFV)<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Modern &amp; Contemporary Myths<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd Complutense University of Madrid (UCM)<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p class=\"proyecto-text\">\n    Led by the <a href=\"http:\/\/www.ucm.es\/acis\" target=\"_blank\" rel=\"noopener noreferrer\">ACIS Research Group<\/a>, this event was held from October 15th to 26th, 2018, with the permanent collaboration of <a href=\"https:\/\/asteriamyth.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Asteria<\/a> and <em><a href=\"http:\/\/revistas.ucm.es\/index.php\/AMAL\" target=\"_blank\" rel=\"noopener noreferrer\">Amaltea. Revista de Mitocr\u00edtica<\/a><\/em>. The academic sessions were supported by an extensive program of cultural parallel activities, including concerts, screenings, film debates, and an art exhibition housed in the &#8220;El \u00c1guila&#8221; cultural center.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Scientific Objectives<\/h3>\n<h4 class=\"proyecto-minititle\">1. Aesthetics of Sight and Sound: The Mimesis Principle<\/h4>\n<p class=\"proyecto-text\">\n    By calling into play image and sound, this conference isolates the vast spectrum of the imaginary into a core typology: the traditional image (representing expected reality) and the innovative image (forged by unforeseen associations with no real previous referent). When coupled with an artistic dimension, we define it as <em>visual creation<\/em>.\n  <\/p>\n<p class=\"proyecto-text\">\n    Conversely, sound exists strictly in the physical plane, compensated by the expressive layers of the human voice and musical instrumentation to create <em>audible creation<\/em>. Together, these processes lead directly back to the Aristotelian principle of <strong>mimesis<\/strong>: human artistic creations as a deliberate re-creation of the world through interwoven sights and sounds.\n  <\/p>\n<h4 class=\"proyecto-minititle\">2. The Digital Turn and Cinematic Deconstruction<\/h4>\n<div class=\"font-highlight\">\n    <strong>A Paradigm Shift in Formats:<\/strong> Traditional analog processes forced artistic creations to compromise and adapt to the limitations of the raw media support. Following the digital revolution, the media format now effortlessly adapts to the creative intent: architecture, dance, theater, opera, cinema, and video game installations are now completely reliant on flexible, digital architectures.\n  <\/div>\n<p class=\"proyecto-text\">\n    This technological shift is deeper than the historical incorporation of sound or color, comparable only to the ancient evolutionary leap from stone tablets to wood, paper, and the printing press. It alters every stage of the industry:\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Expanded Verisimilitude boundaries<\/strong><\/p>\n<p class=\"text-small\">The digitization of image and sound allows virtual characters to project irresistible, plausible realism (e.g., Gollum in Jackson&#8217;s <em>The Lord of the Rings<\/em>; the Na&#8217;vi in Cameron&#8217;s <em>Avatar<\/em>) across multi-platform displays (Smart TVs, HD, and 3D).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Market Democratization<\/strong><\/p>\n<p class=\"text-small\">The industrial monopoly historically held by massive corporations has broken down in favor of independent film distribution via the internet (e.g., Oren Peli&#8217;s <em>Paranormal Activity<\/em>), giving rise to digital natives as an autonomous consumer profile.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<h4 class=\"proyecto-minititle\">3. Semiotics and Cybernetic Codification in Video Games<\/h4>\n<p class=\"proyecto-text\">\n    This structural transformation in modern cinema mirrors the rise of the video game through a deep evolution of human communication codes. While humanity traditionally used alphabetic or musical codes, and industrialization introduced mechanical codes (the typewriter), the computer age introduced a <strong>third code<\/strong>: the digital processor language.\n  <\/p>\n<p class=\"proyecto-text text-conclusion\" style=\"margin-bottom: 0;\">\n    <strong>The Interactive Illusion:<\/strong> Because numerical encryption and decryption processes remain hidden to the senses, players experience a deep cognitive fascination. The consumer confuses the material apparatus with the underlying programming code, feeling like an active author of the process. The gamer is seamlessly integrated into the &#8220;miracle,&#8221; using simple manual gestures to directly intervene in adventures where they were once a passive spectator.\n  <\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Fila&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;T\u00edtulo H2 fondo blanco&#8221; _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Conference \u201cMyth and Emotions\u201d<\/strong><\/span><\/h1>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong><span style=\"font-size: 14pt;\">October 2016<\/span><\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/Mito-y-emociones-banner-JML.jpg&#8221; alt=&#8221;Mito y emociones&#8221; url=&#8221;https:\/\/mythcriticism.com\/inicio-mito-emociones\/&#8221; align=&#8221;center&#8221; admin_label=&#8221;Imagen&#8221; _builder_version=&#8221;4.27.4&#8243; animation=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;] [\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      IV International Conference on Myth Criticism<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Core theme:<\/strong> &#8220;Myth and Emotions&#8221; | <strong>Research Framework:<\/strong> Acis &amp; Galatea Project (Ref: S2015\/HUM-3718)\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Presentation<\/h3>\n<p class=\"proyecto-text\">\n    The IV International Conference of Myth Criticism \u201cMyth and Emotions\u201d was established through the joint scientific collaboration of <a href=\"https:\/\/asteriamyth.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Asteria. Asociaci\u00f3n Internacional de Mitocr\u00edtica<\/a>, <em><a href=\"http:\/\/revistas.ucm.es\/index.php\/AMAL\" target=\"_blank\" rel=\"noopener noreferrer\">Amaltea. Revista de Mitocr\u00edtica<\/a><\/em>, the <em><a href=\"http:\/\/www.ucm.es\/acis\" target=\"_blank\" rel=\"noopener noreferrer\">ACIS Research Group<\/a><\/em>, and the <a href=\"http:\/\/acisgalatea.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Acis &amp; Galatea Project<\/a>.\n  <\/p>\n<p class=\"proyecto-text\">\n    The Organizing Committee invites international researchers to provide\u2014either through theoretical reflection or textual analysis\u2014their methodological principles and practical approaches regarding the combined relationship between mythic narratives and the logic of emotions across contemporary literature and art from 1900 to the present day.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Scientific Objectives<\/h3>\n<p class=\"proyecto-text\">\n    This conference carries out a profound reflection on the structural bonds between mythology and emotion. Progress in the fields of cognitive science and psychology demonstrates that contemporary human behavior depends far less on purely rational causes than on emotional ones. Our current consumer society frequently transforms these impulsive emotional triggers into functional stereotypes.\n  <\/p>\n<h4 class=\"proyecto-minititle\">Psychological Vectors of Emotional Logic<\/h4>\n<p class=\"proyecto-text\" style=\"margin-bottom: 15px;\">\n    Drawing from disciplines like psychobiology and social psychology, the conference addresses the basic traits of emotions that systematically adjust rational logic:\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>The Trigger Phenomenon<\/strong><\/p>\n<p class=\"text-small\">The baseline existence and perception of a preceding external or cognitive occurrence that interrupts the rational state.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Psychosomatic Continuity<\/strong><\/p>\n<p class=\"text-small\">Intense, fleeting, and interconnected physical and psychological experiences that shape immediate responses to the world.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Polarized Evaluation Matrices<\/strong><\/p>\n<p class=\"text-small\">An immediate instinctual distinction between agreeable and disagreeable circumstances, inducing corresponding attraction or rejection patterns that heavily condition private and social motivations.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"font-highlight\">\n    <strong>Working Hypothesis:<\/strong> The conference defines myth as an <em>explanatory, symbolic, and dynamic account of extraordinary events with a transcendent referent<\/em>, which lacks historical testimony, is made up of invariant elements reducible to themes submitted to crisis, and presents an inherently conflictive, functional, and <strong>emotive character<\/strong> anchored to a particular or universal cosmogony and eschatology.\n  <\/div>\n<p class=\"proyecto-text\">\n    Myth criticism must trace the paths where the rhetoric of individual and social psychology intersects with cultural practice. To achieve this, targeted papers analyzed the following dimensions:\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Catharsis and Empathetic Bonds<\/strong><\/p>\n<p class=\"text-small\">The emotional mechanisms through which audiences connect with mythic symbols, establishing therapeutic or ideological alignment.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>The Sinister and the Fantastic<\/strong><\/p>\n<p class=\"text-small\">The close boundaries separating deep mythic awe from modern aesthetics of terror, psychological estrangement, and the uncanny.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p class=\"proyecto-text\" style=\"margin-bottom: 20px;\">\n    Ultimately, this international meeting provides interpretive models capable of unpacking these mythical-emotional phenomena, helping researchers decode the underlying thought systems governing modernity and postmodernity.\n  <\/p>\n<div class=\"proyecto-text text-conclusion\" style=\"margin-bottom: 0; display: flex; align-items: center; gap: 10px;\">\n    <span style=\"font-size: 20px; line-height: 1;\">\ud83d\udcfb<\/span><\/p>\n<div>\n      <strong>Media Outreach:<\/strong> Listen to the conference presentation interview broadcasted on Radio Nacional de Espa\u00f1a (RNE):<br \/>\n      <a href=\"https:\/\/youtu.be\/SBX22YxByYY?list=PL_TYeNozOjZ26-eHcogG9Uj10ZEPXVfxd\" target=\"_blank\" rel=\"noopener noreferrer\" style=\"margin-left: 5px;\"><br \/>\n        &#8220;El ojo cr\u00edtico&#8221; (October 24, 2016)<br \/>\n      <\/a>.\n    <\/div>\n<\/p><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Fila&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;T\u00edtulo H2 fondo blanco&#8221; _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Conference \u201cMyths in Crisis. The Crisis of Myth\u201d<\/strong><\/span><\/h1>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong><span style=\"font-size: 14pt;\">October 2014<\/span><\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/mitosencrisis.jpg&#8221; alt=&#8221;Mitos en crisis. La crisis del mito&#8221; align=&#8221;center&#8221; admin_label=&#8221;Imagen&#8221; _builder_version=&#8221;4.27.4&#8243; animation=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;] [\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      III International Conference on Myth Criticism<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Core theme:<\/strong> &#8220;Myths in Crisis. The Crisis of Myth&#8221; | <strong>Research Framework:<\/strong> National Project I+D FFI 2012-32594\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Presentation<\/h3>\n<p class=\"proyecto-text\">\n    The International Conference \u201cMyths in Crisis. The Crisis of Myth\u201d emerges as a major joint initiative driven by the National Research Project I+D <em>\u201cNew forms of myth: an interdisciplinary methodology\u201d<\/em>, the Research Group on Myth Criticism ACIS, <em>Amaltea. Journal of Myth Criticism<\/em>, and Asteria. International Association of Myth Criticism.\n  <\/p>\n<p class=\"proyecto-text\">\n    The Organizing Committee brings together international researchers to contribute\u2014either through theoretical reflection or textual analysis\u2014their methodological principles and practical approaches to the complex issue of the crisis of ancient, medieval, and modern myths within contemporary literature and the arts.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Scientific Objectives<\/h3>\n<p class=\"proyecto-text\">\n    Is it true that myth, as a product of human beings, is born, grows, reproduces, and dies? While the first three stages are well-documented, this conference seeks to analyze whether\u2014in the 20th and 21st centuries\u2014myths die or adapt. The goal is to define the conditions of their evolution and discern whether their crises bring about a resurgence or final erasure.\n  <\/p>\n<h4 class=\"proyecto-minititle\">Analyzed Scenarios and Typologies of Crisis<\/h4>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Sociocultural Environment Shifts<\/strong><\/p>\n<p class=\"text-small\">The environment changes until it demands an adjustment in the context of its myths. For instance, the traditional Western angel trades its Christian qualities for modern New Age and aesthetic dimensions; or the Holy Grail, which shifts from an afterlife sacrament to a remedy for earthly immortality or a personal search (<em>Indiana Jones<\/em>).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Historical Context Ruptures<\/strong><\/p>\n<p class=\"text-small\">Loss of structural anchors and modern credibility. The Comendatore in the Don Juan myth faces the historical loss of his office and the modern implausibility of a moving statue. 20th-century authors (Frisch, Montherlant) rewrite this dramaturgical myth to navigate how it fares against the theater crisis brought on by film.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Inherent Structural Crises<\/strong><\/p>\n<p class=\"text-small\">Crisis as an internal engine of the mythic system. In the myth of <em>Pygmalion<\/em>, the soft, shifting ivory of Ovidian roots transforms in the 20th century (Shaw, Cukor, Niccol) into a psychological barrier tracking the impossibility and crisis of modern love, casting aside canonical motifs to adapt to modern romance.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Paradoxes of Human Creation<\/strong><\/p>\n<p class=\"text-small\">The tragic boundaries between creator and creation. Mary Shelley&#8217;s <em>Frankenstein; or, the Modern Prometheus<\/em> (1818) and its dozens of modern film adaptations trap the protagonist within his own fate: the monster cannot outlive his maker. Modern iterations face similar impasses through the structural limits of cyborgs and androids.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Catastrophes within Mythic Systems<\/strong><\/p>\n<p class=\"text-small\">The example of Germanic mythology, where gods are not eternal and remain locked in an endless struggle against envious enemies. The &#8220;twilight of the gods&#8221; shows that death and rebirth are not literary crises; they are fully literary devices that create literature, bringing deep implications to a modern culture detached from eternity.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"font-highlight\">\n    <strong>The Crisis of Myth (Nouveau Roman):<\/strong> Beyond myths entering a crisis, the conference addresses the literal crisis of myth itself in the 20th and 21st centuries, where it no longer drives plots or provides romantic equivalents. A crowning example is the <em>Nouveau Roman<\/em> (Claude Simon, Robbe-Grillet, Michel Butor), which rejects the mythic dimension to deconstruct traditional novel foundations, forcing myths (Oedipus, Theseus) to disappear from the surface and re-emerge &#8220;hidden&#8221; via geometric structures and oppositional pairings.\n  <\/div>\n<p class=\"proyecto-text text-conclusion\" style=\"margin-bottom: 0;\">\n    <strong>Call for Papers Guidelines:<\/strong> Each proposal may broach the subject with complete intellectual and methodological freedom. The only strict prerequisites are respecting the chronological boundaries (20th and 21st centuries), the targeted fields (literature, visual arts, and performance), and maintaining myth as the core analytical theme of the paper.\n  <\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Fila&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;T\u00edtulo H2 fondo blanco&#8221; _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Conference \u201cMyth and Interdisciplinarity\u201d<\/strong><\/span><\/h1>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong><span style=\"font-size: 14pt;\">October 2012<\/span><\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/mitoeinterdisciplinariedad.jpg&#8221; alt=&#8221;Mito e interdisciplinariedad&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Imagen&#8221; _builder_version=&#8221;4.27.4&#8243; custom_margin=&#8221;|5px||5px&#8221; animation=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;] [\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      International Conference on Myth and Interdisciplinarity<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Research Framework:<\/strong> Project &#8220;Contemporary Myth Anthropology&#8221; (Ref: HUM2007-62226) &amp; Consolider Project (MEC)\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Presentation and Institutional Framework<\/h3>\n<p class=\"proyecto-text\">\n    The International Conference on Myth and Interdisciplinarity arises as a direct result of the research synergies established by the <em>Contemporary Myth Anthropology Research Project<\/em>, the UCM-CAM Research Group ACIS, and <em>Amaltea. Journal of Myth Criticism<\/em>.\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Inter-Faculty Integration<\/strong><\/p>\n<p class=\"text-small\">Brings together the active collaboration of the Faculties of Languages, Information Sciences, Fine Arts, and Translation and Interpretation, drawing support from researchers across 18 UCM departments.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Strategic Partnerships<\/strong><\/p>\n<p class=\"text-small\">Cooperates closely with the Consolider Project <em>&#8220;Cosmogony and Eschatology in Eastern Mediterranean Religions&#8221;<\/em> (MEC), with recent institutional backing from Asteria. International Association of Myth Criticism.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p class=\"proyecto-text\">\n    The Organizing Committee invites the scientific community to provide methodological principles and practical approaches on the pervivence of ancient, medieval, and modern myths in contemporary literature and the arts, alongside critical debates on myths transmitted via mass media and new information technologies.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Scientific Objectives<\/h3>\n<p class=\"proyecto-text\">\n    Throughout history, myths have transformed alongside intellectual, political, and social developments. This inherent elasticity calls for updated taxonomies capable of distinguishing between ancient, medieval, modern, and contemporary myths; dominant and recessive forms; oral and literalized manifestations; as well as explicit versus implicit expressions.\n  <\/p>\n<p class=\"proyecto-text\">\n    During the 20th and 21st centuries, artistic and literary productions have undergone profound shifts compared to their canonical sources, driven by global phenomena like decolonization and social evolution:\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Literature and Plastic Arts<\/strong><\/p>\n<p class=\"text-small\">Perceval continues his quest, yet shifts his focus from the Holy Grail to a modern woman (Lodge, 1984); vampires break free from their historical diabolical bonds (Meyer, 2007); and plastic arts construct a walkable Cyclops Polyphemus where children can wander safely inside its massive structure (Tinguely &amp; Saint Phalle, 1994).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Photography and Cinema<\/strong><\/p>\n<p class=\"text-small\">Contemporary photography frames &#8220;sleeping beauties&#8221; as calculated simulacra of athletic icons (Taylor-Wood, 2004), while modern filmmakers exploit historical gaps within historical biographies to amplify, diminish, or subvert the mythic profile of key figures (Bondarchuk, Hirschbiegel, Snyder, Singer).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"font-highlight\">\n    <strong>The Media Versatility of Myth:<\/strong> Historically, 20th-century myth criticism functioned within rigid compartmentalization\u2014mostly tracking synchronic or diacronic developments limited to isolated media channels. In contemporary culture, however, the mythic narrative thrives on <strong>transmedia versatility<\/strong>, using a multitude of simultaneous supports.\n  <\/div>\n<p class=\"proyecto-text\" style=\"margin-top: 25px;\">\n    The primary objective of this conference is to decode the underlying causes behind this structural versatility, while a secondary goal focuses on tracing the cultural consequences of the rapid proliferation of new digital media.\n  <\/p>\n<p class=\"proyecto-text text-conclusion\" style=\"margin-bottom: 0;\">\n    <strong>Academic Impact:<\/strong> Addressing a notable gap in the research landscape, this conference combines disparate criteria into a definitive, unified framework, providing concrete steps and models essential for interpreting postmodern manifestations and current social dynamics.\n  <\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Fila&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;T\u00edtulo H2 fondo blanco&#8221; _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Conference \u201cMyth and Subversion in the Contemporary Novel\u201d<\/strong><\/span><\/h1>\n<h1 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong><span style=\"font-size: 14pt;\">March 2011<\/span><\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/Myth-and-subversiom.jpg&#8221; alt=&#8221;Mito y subversi\u00f3n en la novela contempor\u00e1nea&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Imagen&#8221; _builder_version=&#8221;4.16&#8243; custom_margin=&#8221;|5px||5px&#8221; animation=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;] [\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      I International Conference on Myth Criticism<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Core theme:<\/strong> &#8220;Myth and Subversion in the Contemporary Novel&#8221; | <strong>Foundational Milestone:<\/strong> Conclusion of Research Project HUM2007-62226\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Presentation<\/h3>\n<p class=\"proyecto-text\">\n    The International Conference on &#8220;Myth and Subversion in the Contemporary Novel&#8221; constituted the first major milestone of scientific convergence derived from the works of the <em>Amaltea Journal of Myth Criticism<\/em>, the <em>Contemporary Myth Anthropology Research Project<\/em>, and the ACIS Research Group.\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>UCM Interdisciplinary Alliance<\/strong><\/p>\n<p class=\"text-small\">Coordinated through the active collaboration of the Faculties of Philology, Information Sciences, Fine Arts, and Translation and Interpretation at the Complutense University of Madrid.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>International Call<\/strong><\/p>\n<p class=\"text-small\">Brought together top-tier international researchers to establish clear interpreting criteria regarding the subversion of myth in contemporary art forms and narrative prose.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Scientific Objectives<\/h3>\n<p class=\"proyecto-text\">\n    Whether implicitly or explicitly, myths have always played an important role in the novel. While traditional criticism attempts to identify them and interpret their structural functions, <strong>subversion<\/strong> emerges in postmodernity as a frequent, highly intense, and versatile resource exploited within contemporary long-form fiction.\n  <\/p>\n<p class=\"proyecto-text\">\n    This close combination between mythic narrative and its deconstruction responds to deep cultural dynamics driving our contemporary society:\n  <\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 25px;\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Epistemological Shift<\/strong><\/p>\n<p class=\"text-small\">The historical predominance of positivist thought over mythical thought, paired with a profoundly modified understanding of transcendence in modern times.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Formal Innovation<\/strong><\/p>\n<p class=\"text-small\">The ongoing search for new formal and linguistic procedures that deliberately deviate from the rigid characteristics of traditional mythological discourse.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>The Phenomenon of Ephemeral Mythical Inflation<\/strong><\/p>\n<p class=\"text-small\">Our current societies demonstrate an astounding capacity to create and destroy &#8220;consumer myths&#8221; with incredible rapidity (film stars, sportspeople, luxury brands). This media invasion dilutes historical meanings and inevitably entails its own built-in subversion.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"font-highlight\">\n    <strong>Paradigmatic cases and regeneration:<\/strong> Masterpieces such as <em>The Penelopiad<\/em> (Margaret Atwood), <em>Small World<\/em> (David Lodge), and <em>The Nonexistent Knight<\/em> (Italo Calvino) serve as benchmark models. Beyond pointing out these transformations of ancient, medieval, and modern myths, conference delegates analyzed the underlying processes and the malleability of subverted myths to regenerate contemporary literature.\n  <\/div>\n<p class=\"proyecto-text\" style=\"margin-top: 25px;\">\n    Since a unified methodology to study the subversive adjustments of myths did not yet exist, this extensive collective framework brought concrete solutions to better interpret a vast amount of post-modern writing.\n  <\/p>\n<p class=\"proyecto-text text-conclusion\" style=\"margin-bottom: 0;\">\n    <strong>Protean nature of the meeting:<\/strong> Thanks to its markedly interdisciplinary scope, the panels featured active contributions from fields such as painting, sculpture, drawing, film, music, opera, and dance\u2014confirming that the contemporary novel is an open ecosystem ready for all kinds of artistic subversion of myth.\n  <\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Fila&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;T\u00edtulo H2 fondo blanco&#8221; _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #333399;\"><strong>Other<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\" style=\"margin-bottom: 25px;\">\n<h2 class=\"proyecto-title\" style=\"color: #0f172a;\">\n      Other International Colloquia and Seminars<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      Participation, co-organization, and institutional presence of the research group in excellence-driven scientific meetings.\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\" style=\"margin-top: 15px; margin-bottom: 25px;\">\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item\" style=\"grid-column: span 2; background: #f8fafc; border: 1px solid #e2e8f0; border-left: 4px solid #1e3a8a; padding: 20px;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\" style=\"width: 100%;\">\n        <strong style=\"font-size: 16px; color: #1e3a8a; display: block; margin-bottom: 5px;\">I International Seminar \u201cLandscape Narratives (Reading and Writing Spaces)\u201d<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600; margin-bottom: 8px;\">\n          \ud83d\udccd University of Extremadura (Badajoz) | \ud83d\udcc5 June 1-2, 2017\n        <\/p>\n<p class=\"text-small\" style=\"color: #475569; text-align: justify;\">\n          An interdisciplinary meeting focused on the analysis of geographical representations, the semiotics of space, and the construction of identity narratives through landscape in contemporary literature and culture.\n        <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"font-size: 15px; color: #0f172a; display: block; margin-bottom: 5px;\">XIX International Colloquium of the APFUE<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600; margin-bottom: 8px;\">\n          \ud83d\udccd Complutense University of Madrid | \ud83d\udcc5 April 21-23, 2010\n        <\/p>\n<p class=\"text-small\" style=\"color: #475569; text-align: justify;\">\n          Organized in collaboration with the Association of French Teachers of the Spanish University (APFUE), focusing its core research areas on philological ties, translation, and mythic reception within the Francophone sphere.\n        <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"font-size: 15px; color: #0f172a; display: block; margin-bottom: 5px;\">International Colloquium \u201cM\u00e9tamorphoses du roman fran\u00e7ais\u201d<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600; margin-bottom: 8px;\">\n          \ud83d\udccd Complutense University of Madrid | \ud83d\udcc5 April 21-23, 2008\n        <\/p>\n<p class=\"text-small\" style=\"color: #475569; text-align: justify;\">\n          An international symposium specialized in the formal, structural, and thematic mutations of the French novel, with particular emphasis on the endurance of the imaginary and the paradigm crises of the narrative genre.\n        <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #333399;\"><strong>Organized Seminaries<\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\" style=\"margin-bottom: 25px;\">\n<h2 class=\"proyecto-title\" style=\"color: #0f172a;\">\n      Research Seminars and Academic Cycles<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      Specialized seminar series, inter-university meetings, and advanced workshops organized or co-organized by the research group.\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\" style=\"margin-top: 15px; margin-bottom: 25px;\">\n<h4 class=\"proyecto-minititle\" style=\"color: #1e3a8a; border-bottom: 2px solid #e2e8f0; padding-bottom: 5px; margin-top: 10px;\">\n    Seminars on Cultural Mythcriticism<br \/>\n  <\/h4>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 30px;\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"color: #0f172a; font-size: 14.5px;\">III Seminar: Myth Without Barriers<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd Complutense University | \ud83d\udcc5 March &#8211; April 2025<\/p>\n<p class=\"text-small\" style=\"margin-top: 4px;\">Held in the Meeting Room. It included 9 lectures followed by academic discussion rounds, with a certified attendance of 40 participants (Edition A).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"color: #0f172a; font-size: 14.5px;\">II Seminar: The Sacred<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd Complutense University | \ud83d\udcc5 February &#8211; March 2024<\/p>\n<p class=\"text-small\" style=\"margin-top: 4px;\">Held in the Meeting Room. Structured around 9 lectures and debate panels, registering an attendance of 35 participants (Edition A).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"font-size: 14.5px;\"><a href=\"https:\/\/www.ucm.es\/acis\/sesiones-2023\" target=\"_blank\" rel=\"noopener\">I Seminar on Cultural Mythcriticism<\/a><\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd Complutense University | \ud83d\udcc5 April 2023<\/p>\n<p class=\"text-small\" style=\"margin-top: 4px;\">The foundational cycle of the series held in the Meeting Room, structured across three intensive sessions featuring 9 papers and specialized discussion rounds on the methodological bases of the discipline.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<h4 class=\"proyecto-minititle\" style=\"color: #1e3a8a; border-bottom: 2px solid #e2e8f0; padding-bottom: 5px;\">\n    Emerging Fields: Video Games and Landscape Narratives<br \/>\n  <\/h4>\n<div class=\"proyecto-blocks-grid\" style=\"margin-bottom: 30px;\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"color: #0f172a; font-size: 14.5px;\">II Seminar on Myth and Video Games<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd Complutense University | \ud83d\udcc5 October 23, 2024<\/p>\n<p class=\"text-small\" style=\"margin-top: 4px;\">Advanced session focused on the transmedia analysis of interactive mythic structures. Attendance: 20 researchers and students.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"color: #0f172a; font-size: 14.5px;\">I Seminar on Myth and Video Games<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd Complutense University | \ud83d\udcc5 October 18, 2023<\/p>\n<p class=\"text-small\" style=\"margin-top: 4px;\">Inaugural meeting dedicated to the hermeneutics of mythological narratives within entertainment software. Attendance: 15 participants.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"font-size: 14.5px;\"><a href=\"http:\/\/universidadeslectoras.org\/publicaciones\/i-seminario-internacional-narrativas-del-paisaje-leer-y-escribir-los-espacios\/891\" target=\"_blank\" rel=\"noopener\">I International Seminar on Landscape Narratives (Reading and Writing Spaces)<\/a><\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd University of Extremadura | \ud83d\udcc5 June 1-2, 2017<\/p>\n<p class=\"text-small\" style=\"margin-top: 4px;\">A high-impact international meeting co-directed alongside Professor Eloy Martos N\u00fa\u00f1ez, focusing on the analysis of mythic spaces and modern literary cartographies.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<h4 class=\"proyecto-minititle\" style=\"color: #1e3a8a; border-bottom: 2px solid #e2e8f0; padding-bottom: 5px;\">\n    Inter-University Seminars on French Literature<br \/>\n  <\/h4>\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"color: #0f172a; font-size: 14.5px;\">II Inter-University Seminar on French Literature<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd University of Navarra (Pamplona) | \ud83d\udcc5 Year 1992<\/p>\n<p class=\"text-small\" style=\"margin-top: 4px;\">A monographic edition entirely dedicated to the study of <em>\u201cFrench Poetics of the 20th Century\u201d<\/em> and its connection with contemporary critical imagery.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"color: #0f172a; font-size: 14.5px;\">I Inter-University Seminar on French Literature<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600;\">\ud83d\udccd University of Navarra (Pamplona) | \ud83d\udcc5 Year 1991<\/p>\n<p class=\"text-small\" style=\"margin-top: 4px;\">Inaugural session that laid the operational foundations for inter-university scientific exchange surrounding French and philological studies.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #333399;\"><strong>Round tables<\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\" style=\"margin-bottom: 25px;\">\n<h2 class=\"proyecto-title\" style=\"color: #0f172a;\">\n      Round Tables and Scientific Outreach<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      Knowledge transfer events organized by ACIS (Mythcriticism Research Group) within the framework of Science Week.\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\" style=\"margin-top: 15px; margin-bottom: 25px;\">\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item\" style=\"grid-column: span 2; background: #f8fafc; border: 1px solid #e2e8f0; border-left: 4px solid #1e3a8a; padding: 22px;\">\n      <span class=\"block-marker\" style=\"font-size: 18px;\">\u25aa<\/span><\/p>\n<div class=\"block-content\" style=\"width: 100%;\">\n        <strong style=\"font-size: 16px; color: #1e3a8a; display: block; margin-bottom: 5px;\"><br \/>\n          Round Table: \u201cMyth and the Publishing Market Today\u201d<br \/>\n        <\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600; margin-bottom: 10px;\">\n          \ud83d\udccd Complutense University of Madrid | \ud83d\udcc5 November 3, 2021\n        <\/p>\n<p class=\"text-small\" style=\"color: #475569; text-align: justify; margin-bottom: 12px;\">\n          A high-level debate focusing on the challenges of the book industry and the enduring relevance of imaginary structures within contemporary commercial catalogs. Features prominent leaders from the sector:\n        <\/p>\n<p class=\"text-small\" style=\"color: #334155; padding-left: 10px; border-left: 2px solid #cbd5e1; margin-bottom: 15px;\">\n          \u2022 <strong>Manuel Borr\u00e1s<\/strong> (Director of Editorial Pre-Textos)<br \/>\n          \u2022 <strong>Sandra Ollo<\/strong> (Director of Editorial Acantilado)<br \/>\n          \u2022 <strong>Jes\u00fas Espino<\/strong> (Deputy Director of Ediciones Akal)<br \/>\n          \u2022 <strong>Elena Mart\u00ednez Bavi\u00e8re<\/strong> (Executive Editor of Taurus and Debate)<br \/>\n          \u2022 <strong>Basilio Rodr\u00edguez Ca\u00f1ada<\/strong> (Director of Sial Pigmali\u00f3n)\n        <\/p>\n<p>        <a href=\"https:\/\/www.youtube.com\/watch?v=-Pt2a4IN-jY&amp;list=PLhvHhhaLAGhCKRUIC_Tndh_vpOF5zgUDX&amp;index=2&amp;t=296s\" target=\"_blank\" rel=\"noopener\" style=\"font-size: 13.5px; display: inline-flex; align-items: center; gap: 5px;\"><br \/>\n          \u25b6 Watch the session recording on YouTube<br \/>\n        <\/a>\n      <\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"font-size: 15px; color: #0f172a; display: block; margin-bottom: 5px;\">Round Table: \u201cMyths in Cinema: Sirens and the Grail\u201d<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600; margin-bottom: 8px;\">\n          \ud83d\udccd Complutense University of Madrid | \ud83d\udcc5 November 12, 2020\n        <\/p>\n<p class=\"text-small\" style=\"color: #475569; text-align: justify; margin-bottom: 12px;\">\n          An analytical breakdown exploring the iconic and symbolic persistence of two major mythic motifs across audiovisual and cinematographic productions.\n        <\/p>\n<p class=\"text-small\" style=\"color: #334155; margin-bottom: 12px;\">\n          \u2022 <strong>Anita Wonham<\/strong> (TVE Scriptwriter): <a href=\"https:\/\/youtu.be\/AoT34m8UpYw\" target=\"_blank\" rel=\"noopener\">The Sirens<\/a><br \/>\n          \u2022 <strong>Mois\u00e9s Rodr\u00edguez<\/strong> (TVE Presenter and Film Critic): <a href=\"https:\/\/youtu.be\/DyDN5SgmTkQ\" target=\"_blank\" rel=\"noopener\">The Grail<\/a>\n        <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong style=\"font-size: 15px; color: #0f172a; display: block; margin-bottom: 5px;\">Round Table: \u201cMyth and Science Fiction\u201d<\/strong><\/p>\n<p class=\"text-small\" style=\"color: #64748b; font-weight: 600; margin-bottom: 8px;\">\n          \ud83d\udccd Complutense University of Madrid | \ud83d\udcc5 November 5, 2019\n        <\/p>\n<p class=\"text-small\" style=\"color: #475569; text-align: justify; margin-bottom: 12px;\">\n          An interdisciplinary debate on technological intersections, dystopian futures, and the shifting boundaries of transcendence within modern cinema and narrative fiction.\n        <\/p>\n<p class=\"text-small\" style=\"color: #334155;\">\n          \u2022 <strong>Mois\u00e9s Rodr\u00edguez<\/strong> (TVE Presenter and Film Critic)<br \/>\n          \u2022 <strong>Rosa Falc\u00f3n<\/strong> (PhD in Social and Political Sciences)\n        <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Organized ConferencesConference &#8220;For a critique of the myth from Latin America&#8221; Octubre 2024 VIII International Conference on Myth Criticism I International Colloquium of the Latin American Network of Myth Criticism Pachamama Core Focus: Institutional convergence on cultural myth criticism between European frameworks and Latin American imaginaries. Presentation and Genesis Since its inception in the 1960s, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2512","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Organization of conferences, seminars and round tables - Jos\u00e9 Manuel Losada<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/josemanuellosada.com\/en\/organization-of-conferences-seminars-and-round-tables\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Organization of conferences, seminars and round tables - Jos\u00e9 Manuel Losada\" \/>\n<meta property=\"og:description\" content=\"Organized ConferencesConference &quot;For a critique of the myth from Latin America&quot; Octubre 2024 VIII International Conference on Myth Criticism I International Colloquium of the Latin American Network of Myth Criticism Pachamama Core Focus: Institutional convergence on cultural myth criticism between European frameworks and Latin American imaginaries. 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