{"id":2454,"date":"2025-06-13T07:48:46","date_gmt":"2025-06-13T07:48:46","guid":{"rendered":"https:\/\/josemanuellosada.com\/books-2"},"modified":"2025-07-17T07:32:00","modified_gmt":"2025-07-17T07:32:00","slug":"books-2","status":"publish","type":"page","link":"https:\/\/josemanuellosada.com\/en\/books-2","title":{"rendered":"Books"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”#faf4e9″ min_height=”565px” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Books<\/strong><\/span><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_image src=”https:\/\/josemanuellosada.com\/wp-content\/uploads\/2025\/06\/Captura-de-pantalla-2025-06-10-100052.png” title_text=”Captura de pantalla 2025-06-10 100052″ _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”|90px||||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”]<\/p>\n

Mythical Narratives in Comparative European Literature \/ Le r\u00e9cit mythique dans la litt\u00e9rature europ\u00e9enne compar\u00e9e<\/strong>, CompLit. Journal of European Literature, Arts and Society, Asun L\u00f3pez-Varela y Jos\u00e9 Manuel Losada (dir.), 7 (2024), Par\u00eds, Classiques Garnier, 236 p. ISSN 2780-2523. ISBN 978-2-406-16969-7.<\/p>\n

<\/p>\n

https:\/\/dx.doi.org\/10.48611\/isbn.978-2-406-16970-3.p.0009<\/a><\/o:p><\/span><\/p>\n

<\/p>\n

https:\/\/classiques-garnier.com\/complit-journal-of-european-literature-arts-and-society-en.html<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_image src=”https:\/\/josemanuellosada.com\/wp-content\/uploads\/2024\/03\/Portada.jpg” title_text=”Portada” _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”|90px||||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Mito: teor\u00edas de un concepto controvertido<\/b>, Jos\u00e9 Manuel Losada y Antonella Lipscomb (eds.), Madrid, Sial Pigmali\u00f3n<\/a>, 2023, 131 pp. ISBN 978-84-19928-03-0.<\/p>\n

Work awarded with Premio Internacional de Pensamiento y Ensayo \u201cArist\u00f3teles\u201d 2023.<\/p>\n

\u2015 El Diario de Madrid<\/em><\/a><\/span> (07\/02\/2024).<\/p>\n

\u2015\u00a0Mi Ciudad Real<\/em><\/a><\/span> (08\/02\/2024).<\/p>\n

\u2015\u00a0La Opini\u00f3n de Zamora<\/em> (14\/02\/2024<\/a><\/span> y 11\/03\/2024<\/a><\/span>).<\/p>\n

\u2015\u00a0\u00c9tudes romanes de Brno<\/em><\/a><\/span>, 46,1 (2025), pp. 292-293 (ISSN 2336-4416), Adriana Lasti\u010dov\u00e1.<\/p>\n

DOI: https:\/\/doi.org\/10.5817\/ERB2025-1-18<\/a>.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_image src=”https:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/11\/Mitocritica-cultural-portada.jpg” title_text=”Mitocr\u00edtica cultural portada” _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”|90px||||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”]<\/p>\n

Mitocr\u00edtica cultural: Una definici\u00f3n del mito<\/strong><\/a>, Jos\u00e9 Manuel Losada, Madrid, Ediciones Akal, 2022, 832 pp. ISBN: 978-84-46-05267-8.<\/p>\n

<\/p>\n

Summary<\/strong><\/p>\n

<\/p>\n

\n

This first omnicomprehensive theory of myth provides a methodology, a hermeneutics and an epistemology: it gives clear guidelines to locate the myth in any mythical story, proposes heuristic keys for its objective interpretation and provides mythocriticism with a solid basis to claim itself as an autonomous science.<\/p>\n

Presentations:<\/em><\/strong><\/p>\n

\u2015\u00a0Universidad Complutense<\/a> (27\/10\/2022).<\/p>\n

\u2015\u00a0Librer\u00eda Berl\u00edn (Valencia, 18\/05\/2023).<\/p>\n

\u2015\u00a0Librer\u00eda Inusual (Granada, 25\/05\/2023).<\/p>\n

\u2015\u00a0Biblioteca de Filosof\u00eda y Letras (Universidad de Granada<\/a>, 26\/05\/2023).<\/p>\n

\u2015\u00a0\u00c1mbito Cultural de El Corte Ingl\u00e9s (Badajoz, 20\/10\/2023); rese\u00f1a en Infoprovincia<\/a><\/em>.<\/p>\n

\u00a0<\/p>\n

Reviews:<\/span><\/em><\/strong><\/p>\n

\u2015\u00a0\u1f38<\/em>lu. Revista de Ciencias de las Religiones<\/em><\/a> (ISSN-e: 2174-5218), 28 (2023), pp. 1-2 (https:\/\/dx.doi.org\/10.5209\/ilur.86808<\/a>, e-ISSN: 1988-3269), Enrique Santos Marinas.<\/p>\n

\u2015\u00a01616: Anuario de Literatura Comparada<\/em><\/a>, 14 (2024), pp. 342-345 (ISSN: 2445-2262), Laura Castillo Bel.<\/p>\n

\u2015\u00a0Actio Nova. Revista de Teor\u00eda de la Literatura y Literatura Comparada<\/em><\/a>, 7 (2023), pp. xxviii-xxxii (ISSN 2530-4437, https:\/\/doi.org\/10.15366\/actionova2023.7<\/a>), Isabel Gonz\u00e1lez Gil.<\/p>\n

\u2015\u00a0Amaltea. Revista de Mitocr\u00edtica<\/em><\/a>, 15 (2023), pp. 1-3 (ISSN-e: 1989-1709, https:\/\/dx.doi.org\/10.5209\/amal.87547<\/a>), Roxana Mart\u00ednez Nieto.<\/p>\n

\u2015\u00a0Anales de Filolog\u00eda Francesa<\/em><\/a>, 32 (2024), pp. 250-253 (e-ISSN: 1989-4678; impreso: 0213-2958, https:\/\/doi.org\/10.6018\/analesff.607131<\/a>), Natalia Gonz\u00e1lez de la Llana.<\/p>\n

\u2015\u00a0Bajo Palabra. Revista de Filosof\u00eda<\/em><\/a>, 34 (2023), \u00e9poca II, pp. 489-492 (e-ISSN: 1887-505X, https:\/\/doi.org\/10.15366\/bp2023.34<\/a>), Jon Mentxakatorre Odriozola.<\/p>\n

\u2015\u00a0Castilla. Estudios de Literatura<\/em><\/a>, 15 (2024), pp. 854-857 (https:\/\/doi.org\/10.24197\/cel.15.2024.854-857<\/a>), Carolina L\u00f3pez Fic.<\/p>\n

\u2015 \u00c7\u00e9dille. Revista de Estudios Franceses<\/em><\/a>, 24 (2003), pp. 595-599 (ISSN 1699-4949, https:\/\/doi.org\/10.25145\/j.cedille.2023.24.31<\/a>), Adriana Lasti\u010dov\u00e1.<\/p>\n

\u2015\u00a0CompLit. Journal of European Literature, Arts and Society<\/em><\/a>, 7 (2024), 1, pp. 211-215, Mythical Narratives in Comparative European Literature \/ Le r\u00e9cit mythique dans la litt\u00e9rature europ\u00e9enne compar\u00e9e<\/em>, Jos\u00e9 Luis Miras.<\/p>\n

\u2015\u00a0Complutense Journal of English Studies<\/em><\/a>, 32 (2024), pp. 1-2 (ISSN-e: 2386-3935, https:\/\/dx.doi.org\/10.5209\/cjes.92384<\/a>), Laura Navajas.<\/p>\n

\u2015\u00a0Cuadernos de Filolog\u00eda Cl\u00e1sica. Estudios griegos e indoeuropeos<\/em><\/a>, 34 (2024), pp. 273-274 (ISSN 1131-9070), https:\/\/dx.doi.org\/10.5209\/cfcg.94474<\/a>, \u00d3scar Mart\u00ednez Garc\u00eda.<\/p>\n

\u2015\u00a0Cuadernos de Informaci\u00f3n y Comunicaci\u00f3n<\/em><\/a>, 29 (2024): p. 181 (ISSN: 1135-7991, https:\/\/dx.doi.org\/10.5209\/ciyc.96585<\/a>).<\/p>\n

\u2015\u00a0Dicenda<\/em>. Estudios de lengua y literatura espa\u00f1olas<\/em><\/a>, 41 (2023), pp. 261-263 (ISSN-e 1988-2556, http:\/\/dx.doi.org\/10.5209\/dice.91637<\/a>), Mehmet Ilg\u00fcrel.<\/p>\n

\u2015\u00a0Estudios Cl\u00e1sicos (Sociedad Espa\u00f1ola de Estudios Cl\u00e1sicos)<\/em><\/a>, 164 (2023), pp. (e-ISSN: 2445-0537, https:\/\/doi.org\/10.48232\/eclas.164.17<\/a>), Bego\u00f1a Cadi\u00f1anos Mart\u00ednez.<\/p>\n

\u2015\u00a0Europe and Orient. Journal of Historical and Cultural Interactions<\/em><\/a>, 1 (2023), pp. 139-142 (ISSN 2815-4894), Jos\u00e9 Manuel Correoso.<\/p>\n

\u2015\u00a0Hypercultura (Hyperion University, Ruman\u00eda)<\/em><\/a>, 12 (2023), pp. 2-5 (ISSN 2559-2025), Jaime Segura San Miguel.<\/p>\n

\u2015\u00a0La Raz\u00f3n<\/em><\/a> (\u201cEl poder del mito\u201d), 04\/01\/2023, David Hern\u00e1ndez de la Fuente.<\/p>\n

\u2015\u00a0Man of Bronze<\/em><\/a>, 19\/12\/2022, Pedro Angosto.<\/p>\n

\u2015 Minerva. Revista de Filolog\u00eda Cl\u00e1sica<\/em><\/a>, 37 (2024), pp. 187-191 (ISSN 2530-6480; https:\/\/doi.org\/10.24197\/mrfc.37.2024.181-185<\/a>). Encarna Fern\u00e1ndez G\u00f3mez.<\/p>\n

\u2015\u00a0Revista Chilena de Literatura<\/a>, 111 (Mayo 2025), pp. 437-440 (ISSN-e: 0718-2295), Fernando Gil-Gonz\u00e1lez.<\/p>\n

\u2015\u00a0Revista Complutense de Educaci\u00f3n<\/em><\/a>, 35(3), 2024, pp. 683-684 (ISSN: 1549-2230 \/ e-ISSN: 1549-2230, https:\/\/dx.doi.org\/10.5209\/rced.96239<\/a>), Mercedes P\u00e9rez Agust\u00edn.<\/p>\n

\u2015\u00a0Revista de Filolog\u00eda Alemana<\/em><\/a>, 32 (2024), pp. 155-157 (ISSN: 1133-0406; https:\/\/dx.doi.org\/10.5209\/arab.98082<\/a>), Alfonso Lombana S\u00e1nchez.<\/p>\n

\u2015\u00a0Revista de Filolog\u00eda Rom\u00e1nica<\/em><\/a>, 41 (2024), pp. 193-194 (ISSN: 0212-999X; https:\/\/dx.doi.org\/10.5209\/rfrm.96916<\/a>), Silviano Carrasco Yelmo.<\/p>\n

\u2015\u00a0Revista de Literatura<\/em><\/a>, 85, 170 (2023), pp. 699-719 (ISSN: 0034-849X), Xiana Sotelo.<\/p>\n

\u2015\u00a0Revue de Litt\u00e9rature Compar\u00e9e<\/em><\/a>, 392 (2024), pp. 494-499 (ISSN: 1965-0264; https:\/\/doi.org\/10.3917\/rlc.392.0111<\/a> ), Mar\u00eda del Carmen Lechosa Maldonado.<\/p>\n

\u2015\u00a0RILCE. Revista de Filolog\u00eda Hisp\u00e1nica<\/em><\/a>, 39.2 (2023), pp. 801-804 (ISSN-e: 2174-0917, https:\/\/doi.org\/10.15581\/008.39.2.801<\/a>), Mar\u00eda Flores-Fern\u00e1ndez.<\/p>\n

\u2015\u00a0Studia mythologica Slavica<\/em><\/a>, 27 (2024), pp. 215-218 (Print: ISSN 1408-6271 \/ Online: ISSN 1581-128X), (Jos\u00e9 Manuel Correoso).<\/p>\n

\u2015\u00a0Tropel\u00edas. Revista de Teor\u00eda de la Literatura y Literatura Comparada<\/em><\/a>, 41 (2024), pp. 189-190 (ISSN-e 2255-5463), Mar\u00eda del Carmen Lechosa.<\/p>\n

Interviews:<\/span><\/em><\/strong><\/p>\n

\u2015\u00a0RTVE-La 2<\/em><\/a>, Documental, productora: Anita G. Wonham, 4\/12\/2024.<\/p>\n

\u2015 Revista de Letras<\/em><\/a>, Berta Ares, 22\/10\/2022.<\/p>\n

\u2015 Presentaci\u00f3n en la Universidad Complutense<\/a> (27\/10\/2022)<\/p>\n

\u2015\u00a0Radio Intereconom\u00eda<\/em><\/a> (\u201cEl marcap\u00e1ginas\u201d), David Felipe Arranz, 29\/11\/2022.<\/p>\n

\u2015\u00a0Medievo<\/em> (Twitch)<\/a>, Santiago Ramos Garc\u00eda, 18\/02\/2023.<\/p>\n

\u2015\u00a0El Cultural<\/em><\/a> (\u201cEs el mito, est\u00fapido\u201d, El Espa\u00f1ol<\/em>), 20\/09\/2022, Berta Ares.<\/p>\n

\u2015\u00a0El Debate<\/em><\/a>, Adri\u00e1n Gonz\u00e1lez, 01\/03\/2023.<\/p>\n

\u2015\u00a0El Confidencial<\/em><\/a> (\u201cAlma, coraz\u00f3n y vida\u201d), Ada Nu\u00f1o, 23\/06\/2023. Traducida, con introducci\u00f3n original, por Brikena Smajli, en Exlibris<\/em>, n.\u00ba 243<\/a>, Albania (29\/07\/2023).<\/p>\n

\u2015\u00a0La Opini\u00f3n de Zamora<\/em><\/a>, 04\/02\/2023, Beatriz Blanco Garc\u00eda.<\/p>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_image src=”https:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/03\/Esperides-portada.jpg” title_text=”Esp\u00e9rides portada” _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”|90px||||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”]<\/p>\n

El Jard\u00edn de las Hesp\u00e9rides: del mito a la belleza<\/strong>, Jos\u00e9 Manuel Losada (ed.), Cat\u00e1logo de la Exposici\u00f3n de Luis Priego en el c arte c (Centro de Arte Complutense), Madrid, Ediciones Complutense, 2022, 111 pp. ISBN: 978-84-09-36855-6.<\/p>\n

<\/p>\n

Summary<\/strong><\/p>\n

<\/p>\n

\n

The catalog (111 color pages) gathers all the works of the exhibition of oil paintings by Luis Priego, exhibited at the c arte c (Centro de Arte Complutense), Madrid, from January 20 to April 4, 2022. It also includes texts by various personalities, as well as a Prologue by the curator of the exhibition, Jos\u00e9 Manuel Losada.<\/p>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_image src=”https:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/01\/Mito-y-ciencia-ficcion2.jpg” title_text=”Mito-y-ciencia-ficcion2″ _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”|90px||||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”]<\/p>\n

Mito y ciencia ficci\u00f3n<\/strong><\/a>,\u00a0<\/strong>Jos\u00e9 Manuel Losada & Antonella Lipscomb (eds.), Madrid (Espa\u00f1a), Sial Pigmali\u00f3n, 2021, 143 p. ISBN: 978-84-18888-12-0.<\/p>\n

<\/p>\n

Summary<\/strong><\/p>\n

<\/p>\n

To understand myth properly, it is necessary to address other correlates of our imaginary: esotericism, fantasy and science fiction. This volume studies the complex but surprising relationship between myth and science fiction. Myth refers to truths transmitted symbolically and emotionally, not deductively and arbitrarily, embedded in the depths of our individual being or acquired through a unique communion with the universe. In recent centuries, science fiction, whose first stirrings date back several millennia, has come to destabilize, at least in appearance, the foundations of myth, to judge it from ontologically and chronologically irreconcilable premises. The joint study of myth and science fiction responds to the heuristic need to analyze in depth the distinctive elements of two correlates and genres condemned to a tense but exciting coexistence.<\/p>\n

<\/p>\n

https:\/\/sialpigmalion.es\/libro\/mito-y-ciencia-ficcion\/<\/a><\/p>\n

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Myth and Audiovisual Creation<\/strong><\/a>,\u00a0<\/strong>Jos\u00e9 Manuel Losada & Antonella Lipscomb (eds.), Berl\u00edn (Alemania), Logos Verlag, 2019, 224 p. ISBN: 978-3-8325-4966-4.<\/p>\n

<\/p>\n

Summary<\/strong><\/p>\n

<\/p>\n

The purpose of this book is to understand how the digital revolution has affected myth, to what extent it retains its original essence and whether it has mutated into new forms. The articles discuss movies and television series that speak to the impact of transcendence on our lives and teach us that myth remains an important tool for understanding society and ourselves.<\/p>\n

<\/p>\n

https:\/\/www.logos-verlag.de\/cgi-bin\/engbuchmid?isbn=4966&lng=deu&id=<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_image src=”https:\/\/josemanuellosada.com\/wp-content\/uploads\/2017\/12\/ME-Cover.jpeg” title_text=”M&E – Cover” _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”|90px||||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”]<\/p>\n

Myth and Emotions<\/a><\/strong>,\u00a0<\/strong>Jos\u00e9 Manuel Losada & Antonella Lipscomb (eds.), Newcastle upon Tyne (Reino Unido), Cambridge Scholars Publishing, 2017, xviii-345 p. ISBN: 978-1-5275-0011-2.<\/p>\n

<\/p>\n

Summary<\/strong><\/p>\n

<\/p>\n

The emotional character of myth underlies the framework of the research proposed for this trilingual volume. The book proposes a study, as broad and exhaustive as possible, that provides guidelines and models capable of interpreting the mythical-emotional phenomenon. Its implementation will be of great help in understanding and helping to understand a good part of the writing and art of modernity and postmodernity, as well as the culture and thought of our current society.<\/p>\n

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http:\/\/www.cambridgescholars.com\/myth-and-emotions<\/a><\/p>\n

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https:\/\/www.academia.edu\/35427330\/Myth_and_Emotions<\/a><\/p>\n

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Reviews<\/strong><\/p>\n

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\u2015\u00a0Amaltea. Revista de Mitocr\u00edtica<\/em> (Madrid), 10, 2018, p. 129-131, Esther Bautista Naranjo.<\/p>\n

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http:\/\/revistas.ucm.es\/index.php\/AMAL\/article\/view\/61015\/4564456547727<\/a><\/p>\n

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http:\/\/dx.doi.org\/10.5209\/AMAL.61015<\/a><\/p>\n

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\u2015\u00a0\u201cMitokritika in sodobna literarna veda\u201d, Primerjalna knji\u017eevnost<\/em> (Ljubljana, Slovenija), 41, 3, 2018, p. 59-76, Metka Zupan\u010di\u010d (vid<\/em>. p. 70-73).<\/p>\n

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https:\/\/ojs.zrc-sazu.si\/primerjalna_knjizevnost\/article\/view\/7149\/6669<\/a><\/p>\n

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Cinco siglos de Teresa. La proyecci\u00f3n de la vida y los escritos de Santa Teresa de Jes\u00fas. Actas selectas del Congreso Internacional \u201cY tan alta vida espero. Santa Teresa o la llama permanente. De 1515 a 2015″<\/a>,\u00a0<\/em><\/strong>Esther Borrego y Jos\u00e9 Manuel Losada eds., Madrid, Fundaci\u00f3n M\u00aa Cristina Masaveu Peterson, 2016, 366 p. ISBN: 978-84-617-7170-7.<\/p>\n

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Video<\/a><\/strong><\/p>\n

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Summary<\/strong><\/p>\n

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This volume, produced under the scientific direction of Professor Esther Borrego and Professor Jos\u00e9 Manuel Losada, collects part of the studies originally presented as papers or communications at the International Congress, which the Faculty of Philology of the Complutense University organized from 20 to 23 October 2015, on the occasion of the V centenary of the birth of St. Teresa, the most universal of our writers. The title of the meeting – “And so high life I hope. Santa Teresa or the permanent flame. From 1515 to 2015 – suggested concepts such as \u201cpervivencia\u201d, \u2018permanence\u2019 or \u201cprojection\u201d, undoubtedly fanned by that spiritual fire that emanated from the life and writings of the Saint.<\/p>\n

Review<\/strong><\/p>\n

\u2015\u00a0Atrio. Revista de Historia del Arte<\/em> (Sevilla), 23, 2017, p. 172-174, Celia Redondo Blasco.<\/p>\n

https:\/\/www.upo.es\/revistas\/index.php\/atrio\/article\/view\/3774\/2992<\/a><\/p>\n<\/div>\n

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Mitos de hoy\u00a0Ensayos de mitocr\u00edtica cultural, estudios reunidos y presentados por Jos\u00e9 Manuel Losada<\/strong><\/a>, Berl\u00edn, Logos Verlag, 2016, 211 p. ISBN: 978-3-8325-4239-9.<\/p>\n

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Summary<\/strong><\/p>\n

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Cultural Mythocriticism, here put into practice, combines the traditional tools of mythocriticism with factors not systematically considered by previous criticism: globalization, immanence and consumerism. It thus offers a modest contribution to the task of identifying, analyzing and synthesizing the typology of the manifestations of myth in contemporary literature, arts and media. This will make it easier to understand ourselves in this bewildering world.<\/p>\n

Index<\/b><\/a><\/p>\n

<\/p>\n

Reviews<\/strong><\/p>\n

<\/div>\n

<\/div>\n

<\/div>\n

<\/div>\n

<\/p>\n

\u2015\u00a0Journal of Comparative Literature and Aesthetics<\/em> (Odisha, India), 29, 1-2, 2016, p. 143-145, Manuel Botero Camacho.<\/p>\n

<\/p>\n

https:\/\/www.hse.ru\/mirror\/pubs\/lib\/data\/access\/ram\/ticket\/0\/1545601012dec252c56bdbb3d1a5bd24f469d0e3e0\/JCLA_2016.pdf<\/a><\/p>\n

<\/p>\n

\u2015\u00a0<\/em>\u2019Ilu. Revista de Ciencias de las Religiones<\/em> (Madrid), 21, 2016, p. 271-273, Borja Cano Vidal.<\/p>\n

<\/p>\n

http:\/\/dx.doi. org\/10.5209\/ILUR.53862<\/p>\n

<\/p>\n

http:\/\/revistas.ucm.es\/index.php\/ILUR\/article\/view\/53862\/49306<\/a><\/p>\n

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\u2015\u00a0Cuadernos de Informaci\u00f3n y Comunicaci\u00f3n<\/em> (Madrid), 22, 2017, p. 319-320, Esther Bautista Naranjo. http:\/\/dx.doi.org\/10.5209\/CIYC.55986<\/a>\u00a0 http:\/\/revistas.ucm.es\/index.php\/CIYC\/article\/view\/55986\/50718<\/a><\/p>\n

<\/p>\n

\u2015\u00a0Amaltea, Revista de Mitocr\u00edtica<\/em> (Madrid), 9, 2017, p. 87-89, Cristina Salcedo Gonz\u00e1lez.<\/p>\n

<\/p>\n

http:\/\/revistas.ucm.es\/index.php\/AMAL\/article\/view\/57182\/51581<\/a><\/p>\n

<\/p>\n

http:\/\/dx.doi.org\/10.5209\/AMAL.57182<\/a><\/p>\n

<\/p>\n

\u2015\u00a0Minerva, Revista de Filolog\u00eda Cl\u00e1sica<\/em> (Valladolid), 31, 2018, p. 291-294, Carlos S\u00e1nchez P\u00e9rez.<\/p>\n

<\/p>\n

https:\/\/doi.org\/10.24197\/mrfc.31.2018.291-294<\/a><\/p>\n

<\/p>\n

https:\/\/revistas.uva.es\/index.php\/minerva\/article\/view\/1161<\/a><\/p>\n

<\/p>\n

\u2015\u00a0\u201cMitokritika in sodobna literarna veda\u201d, Primerjalna knji\u017eevnost<\/em> (Ljubljana, Slovenija), 41, 3, 2018, p. 59-76, Metka Zupan\u010di\u010d (vid<\/em>. p. 70-73).<\/p>\n

<\/p>\n

https:\/\/ojs.zrc-sazu.si\/primerjalna_knjizevnost\/article\/view\/7149\/6669<\/a><\/p>\n

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Myths in Crisis: The Crisis of Myth<\/b>,\u00a0Jos\u00e9 Manuel Losada & Antonella Lipscomb (eds.), Newcastle upon Tyne (Reino Unido)<\/span>, Cambridge Scholars Publishing, 2015, xxix-441 p. ISBN: 978-1-4438-7814-2.<\/p>\n

<\/p>\n

Summary<\/strong><\/p>\n

<\/p>\n

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This trilingual volume investigates the extent to which myths are affected by the crises of the twentieth and twenty-first centuries. Four theoretical studies analyze both structural crises, which involve the distortion or disappearance of myth, and crises of concept and terminology, which currently threaten the study of mythology.<\/p>\n

The most voluminous part of the book focuses on the crises experienced by ancient, medieval and modern literary myths from a global perspective: contemporary psychology, morality, politics and metaliterature. This volume closes with the crises suffered by the myths of immanence: historical and fictitious characters, mythologized peoples and languages.<\/p>\n

Prologue<\/a><\/strong><\/p>\n

Reviews<\/strong><\/p>\n<\/div>\n

<\/div>\n

<\/div>\n

<\/p>\n

\u2015\u00a0Journal of Comparative Literature and Aesthetics<\/em> (Odisha, India), xxxix, 1-2, 2016, p. 145-149, Juan Gonz\u00e1lez Etxeberria.<\/p>\n

<\/p>\n

\u2015\u00a0Revista de Literatura<\/em> (Madrid), lxxix, 158, 2017, p. 625-627, Borja Cano Vidal.<\/p>\n

<\/p>\n

http:\/\/revistadeliteratura.revistas.csic.es\/index.php\/revistadeliteratura\/article\/view\/431\/446<\/a><\/p>\n

<\/p>\n

\u2015\u00a0\u201cMitokritika in sodobna literarna veda\u201d, Primerjalna knji\u017eevnost<\/em> (Ljubljana, Slovenija), 41, 3, 2018, p. 59-76, Metka Zupan\u010di\u010d (vid<\/em>. p. 70-73).<\/p>\n

<\/p>\n

https:\/\/ojs.zrc-sazu.si\/primerjalna_knjizevnost\/article\/view\/7149\/6669<\/a><\/p>\n

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Nuevas formas del mito. Una metodolog\u00eda interdisciplinar<\/a><\/b>, Berlin, Logos Verlag, 2015, 221 p. ISBN: 978-3-8325-4040-1.<\/p>\n

Summary<\/strong><\/p>\n<\/div>\n

<\/p>\n

Myth: explanatory, symbolic and dynamic account of one or more extraordinary personal events with a transcendent referent, which in principle lacks historical testimony, is composed of thematic invariants subject to crisis, presents a conflictive, emotional, functional, ritual character, and always refers to an absolute, particular or universal cosmogony or eschatology.<\/p>\n

<\/p>\n

This definition, general, cold and indeterminate, requires a time, a space, and above all a consciousness that lives it. Myth is not a mental construct alien to sociocultural vicissitudes: it bears the imprint of each individual and society on its skin and entrails. The myth is a slave deluded with freedom: just as it cannot completely rid itself of an inherited form and content, neither can it stop dreaming of new forms and contents, promises of an improbable liberation.<\/p>\n

<\/p>\n

New forms of myth narrate these forms and contents in the new spatio-temporal conditions. The novelty of the method consists in advocating the combination of the traditional tools of mythocriticism with factors not systematically considered by previous criticism: globalization, immanence and consumerism. It thus offers a modest contribution to the task of identifying, analyzing and synthesizing the typology of the manifestations of myth in contemporary literature, arts and media. This will make it easier to understand our consciousness in this bewildering world.<\/p>\n

<\/p>\n

Index<\/a><\/strong><\/p>\n

<\/p>\n

Reviews<\/strong><\/p>\n

<\/p>\n

\u2015\u00a0\u00c7\u00e9dille. Revista de Estudios Franceses<\/em>, \u201cLos retos de la mitocr\u00edtica ante las nuevas formas del mundo en el mundo globalizado\u201d, 12, abril de 2016, p. 521-526, Tagirem Gallego Garc\u00eda.<\/p>\n

<\/p>\n

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http:\/\/ cedille.webs.ull.es\/12\/29gallego.pdf<\/p>\n

\u2015\u00a0\u2019Ilu. Revista de Ciencias de las Religiones<\/em> (Madrid), 21, 2016, p. 268-270, Borja Cano Vidal.<\/p>\n

http:\/\/revistas.ucm.es\/index.php\/ILUR\/article\/view\/53862<\/a> y http:\/\/dx.doi.org\/ 10.5209\/ILUR.53861<\/a><\/p>\n

\u2015\u00a0Bajo Palabra. Revista de Filosof\u00eda<\/em> (Madrid), II \u00c9poca, 12, 2016, p. 413-415, Helena Gonz\u00e1lez-Vaquerizo.<\/p>\n

https:\/\/repositorio.uam.es\/handle\/10486\/675044<\/a><\/p>\n

\u2015\u00a0Amaltea. Revista de Mitocr\u00edtica<\/em> (Madrid), 8, 2016, p. 69-74, Luis Alberto P\u00e9rez Amezcua.<\/p>\n

http:\/\/dx. doi.org\/10.5209\/AMAL.53424<\/p>\n

http:\/\/revistas.ucm.es\/index.php\/AMAL\/article\/view\/53424\/49004<\/a><\/p>\n

\u2015\u00a0Th\u00e9l\u00e8me. Revista Complutense de Estudios Franceses<\/em> (Madrid), 31, 2, 2016, p. 345-347, Jos\u00e9 Carlos Marco Vega. http:\/\/dx.doi.org\/10.5209\/THEL.54097<\/a><\/p>\n

https:\/\/revistas.ucm.es\/index.php\/THEL\/article\/view\/ 54097\/49486<\/a><\/p>\n

\u2015\u00a0Minerva. Revista de Filolog\u00eda Cl\u00e1sica<\/em> (Valladolid), 30 (2017), p. 367-370, Adri\u00e1n Men\u00e9ndez de la Cuesta.<\/p>\n

https:\/\/revistas.uva.es\/index.php\/minerva\/article\/view\/1180<\/a><\/p>\n

https:\/\/doi.org\/10.24197\/mrfc.30.2017.367-370<\/a><\/p>\n

\u2015\u00a0\u201cMitokritika in sodobna literarna veda\u201d, Primerjalna knji\u017eevnost<\/em> (Ljubljana, Slovenija), 41, 3, 2018, p. 59-76, Metka Zupan\u010di\u010d (vid<\/em>. p. 70-73).<\/p>\n

https:\/\/ojs.zrc-sazu.si\/primerjalna_knjizevnost\/article\/view\/7149\/6669<\/a><\/p>\n<\/div>\n

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Victor Hugo et l\u2019Espagne. L\u2019imaginaire hispanique dans l\u2019\u0153uvre po\u00e9tique<\/a>.<\/b> Avec la collaboration d\u2019Andr\u00e9 Labertit, Paris, Honor\u00e9 Champion, 2014, 560 p. ISBN: 978-2-7453-2698-0<\/p>\n

Summary<\/strong><\/p>\n<\/div>\n

<\/p>\n

Victor Hugo’s stay in Madrid when he was a child, his trip to the Basque Country and Navarre as an adult, and his Spanish readings in original or translated texts, left deep traces in the poet. This book gathers and analyzes them in all his poetic work re-examined as a whole. With an important novelty: beyond the collection and identification of data, this study addresses the evaluation of the Spanish facet in the Hugolian poetic universe. Weighed and placed in the trajectory of production, this Hispanic influence takes on significance and uniqueness both in Hugo himself and in the perspective of the French romantic current.<\/p>\n

<\/p>\n

Table des mati\u00e8res<\/a><\/strong><\/p>\n

<\/p>\n

Reviews<\/strong><\/p>\n

<\/p>\n

\u2015\u00a0L\u2019\u00c9cho Hugo<\/em> (Par\u00eds), 13, 2014, p. 30-31, Arnaud Laster.<\/p>\n

<\/p>\n

\u2015\u00a0Fabula. L\u2019Information en Litt\u00e9rature<\/em> (Par\u00eds), 1 julio 2014, Perrine Coudurier.<\/p>\n

<\/p>\n

http:\/\/ www.fabula.org\/actualites\/jose-manuel-losada-goya-victor-hugo-et-l-espagne-l-imagin aire-hispanique-dans-l-oeuvre-poetique_63733.php<\/p>\n

<\/p>\n

\u2015\u00a0Revue de Litt\u00e9rature Compar\u00e9e<\/em> (Par\u00eds), 355, 2015, p. 345-346, V\u00e9ronique G\u00e9ly.<\/p>\n

<\/p>\n

\u2015\u00a0Revue d\u2019Histoire Litt\u00e9raire de la France<\/em> (Par\u00eds), 115, 1, marzo 2015, p. 210-211, Michel Garcia.<\/p>\n

<\/p>\n

https:\/\/www.cairn.info\/revue-d-histoire-litteraire-de-la-france-2015-1-page-191.htm<\/p>\n

<\/p>\n

\u2015\u00a0Studi Francesi (Tur\u00edn)<\/em>, 179 (LX-II), 2016, p. 346-347, Jean-Marc Hovasse.<\/p>\n

<\/p>\n

https:\/\/studifrancesi.revues.org\/4416<\/p>\n

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Abordajes. Mitos y reflexiones sobre el mar<\/b><\/a>, dir. Jos\u00e9 Manuel Losada, Madrid, Instituto Espa\u00f1ol de Oceanograf\u00eda, 2014, 274 p., 95 ilustr. ISBN: 978-84-95877-51-2.<\/p>\n

Summary<\/strong><\/p>\n

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This is the purpose of the present volume: to give an account of what the sea has represented and represents for us. Hence the title of the volume: \u201cboardings\u201d in a metaphorical sense: encounters between ships carrying various goods, assaults – by bow, stern, port, starboard: any attack will do – to get our hands on the most valuable things the sea can give us. The sea has become a school, an apprenticeship. It is about exploring the other side of the sea: not the quantified sea, but the imagined sea. Over the centuries, the waters have inspired countless mental constructions about its currents and its animals, its cliffs and its depths. A culture of the sea has thus arisen, different from that observed through the microscope, which this book presents in a condensed form.<\/p>\n

Prologue<\/a><\/strong><\/p>\n

Reviews<\/strong><\/p>\n

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\u2015\u00a0\u2019Ilu, Revista de Ciencias de las Religiones<\/em> (Madrid), 20, 2015, p. 319-322, Helena Gonz\u00e1lez-Vaquerizo. https:\/\/revistas.ucm.es\/index.php\/ILUR\/issue\/view\/2839\/ showToc<\/a><\/p>\n

\u2015\u00a0Revista del Instituto Espa\u00f1ol de Oceanograf\u00eda<\/em> (Madrid), 21, julio 2014, p. 80-81<\/p>\n

https:\/\/issuu.com\/anamorillaskieffer\/docs\/ieo21<\/a><\/p>\n

\u2015\u00a0Amaltea. Revista de Mitocr\u00edtica<\/em> (Madrid), 10, 2018, p. 132-136, Isabel Garc\u00eda Ad\u00e1nez.<\/p>\n

http:\/\/revistas.ucm.es\/index.php\/AMAL\/article\/view\/61016\/4564456547728<\/a><\/p>\n

http:\/\/dx.doi.org\/10.5209\/AMAL.61016<\/a><\/p>\n<\/div>\n

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Mito e interdisciplinariedad. Los mitos antiguos, medievales y modernos en la literatura y las artes contempor\u00e1neas<\/strong><\/a>, Jos\u00e9 Manuel Losada Goya & Antonella Lipscomb (eds.), Bari (Italia), Levante Editori, 2013, 458 p. ISBN: 978-88-7949-623-0.<\/p>\n

Summary<\/strong><\/p>\n

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Until now, mythocriticism had proceeded to the identification of myths within the literary and artistic productions of each epoch or to the exposition of the resistance of mythical factors to the trends of literary and artistic currents. The approach was generally limited to a single mode of expression: literary or artistic. Nowadays, however, myths are characterized by the use of a multiplicity of media, each of which has traditionally been studied from a single discipline. The main objective of this book is to decipher the reasons for this versatility of myth and its interdisciplinary use. In this way it will be possible to understand much of the writing of postmodernity and the culture of today’s society.<\/p>\n

Index and Introduction<\/b><\/a><\/p>\n

Reviews<\/strong><\/p>\n

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Mayron Estefan Cantillo Lucuara<\/a>. Revista de Filolog\u00eda Inglesa<\/em> (Valladolid), 35, 2015, p. 185-190.<\/p>\n

Luis D\u00edaz Viana. \u00cdnsula<\/i> (Madrid-Barcelona), LXX-819 (2015), p. 23-25.<\/p>\n

Luis Unceta G\u00f3mez. Minerva<\/i> <\/a>(Madrid), 28 (2015), p. 413-417,<\/p>\n

Mar\u00eda \u00c1ngeles Chaparro. Cuadernos de Informaci\u00f3n y Comunicaci\u00f3n<\/i> (Madrid), 20 (2015), p. 183-199.
(https:\/\/revistas.ucm.es\/index.php\/CIYC\/issue\/current<\/a>)<\/p>\n

Carlos Villanueva Garc\u00eda. Hermes. Revista del Mundo Cl\u00e1sico<\/i><\/a> (Madrid), 17 (abril 2014), p. 47.
(https:\/\/sites.google.com\/site\/hermesrevistadelmundoclasico\/home<\/a>).<\/p>\n

Ana Isabel Jim\u00e9nez San Crist\u00f3bal, \u2019Ilu. Revista de Ciencias de las Religiones <\/a>(Madrid), 19 (2014), 333-334.<\/p>\n

Affatato, Rosa, Amaltea. Revista de Mitocr\u00edtica<\/i><\/a> (Madrid), 6 (2014), p. 387-394. (pdf<\/a>)<\/p>\n

Carlos S\u00e1nchez P\u00e9rez, Revista de Hispanismo Filos\u00f3fico<\/i> (Madrid), 19 (2014), p. 254-258.<\/p>\n

Marian Chaparro, Revista de Literatura<\/i><\/a> (Madrid), 76, 151 (enero-junio 2014), 367-369<\/p>\n

Aur\u00e9lie Renaud, Th\u00e9l\u00e8me<\/i><\/a> (Madrid), 29, 2 (2014), p. 419-420.<\/i><\/p>\n

Jos\u00e9 Sarzi Amade y Leonor Taiano Campoverde, Mito. Revista Cultural, n\u00ba 8 (11 mar 2014).<\/p>\n

Navi Rodr\u00edguez, \u201cMitocr\u00edtica: c\u00f3mo se refleja un mito en el arte\u201d, Esfinge<\/i>, Nueva \u00e9poca, 19 abr (2014), p. 10-14. (pdf<\/a>)<\/p>\n

Felice Laudadio, Contrappunti<\/em> <\/a>(Italy), 8 Feb (2014).<\/p>\n

Por Arte de Blog. Espacio virtual de la Biblioteca de la Facultad de Bellas Artes<\/a>.<\/p>\n

Vittorio Polito, Giornale di Puglia<\/em><\/a> (Italia), 9 oct (2013).<\/p>\n<\/div>\n

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Myth and Subversion in the Contemporary Novel<\/strong>, Jos\u00e9 Manuel Losada & Marta Guirao (eds.), Newcastle upon Tyne (Reino Unido), Cambridge Scholars Publishing, 2012, 510 p. ISBN: 1-4438-3746-6.<\/p>\n

Summary<\/strong><\/p>\n

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This bilingual volume identifies and explains the subversive practice applied to ancient, medieval and modern myths in the contemporary novel.<\/p>\n

The book opens with two theoretical studies on the subversive tendency and the reinvention of myths today. The analysis of various texts of primary importance continues. First, classical myths are reviewed in authors such as Andr\u00e9 Gide, Thomas Pynchon, Julio Cort\u00e1zar, Italo Calvino or Christa Wolf (e.g., Theseus, Oedipus, Medea). Secondly, the rewriting of biblical myths according to Giorgio Bassani, Julian Barnes or Cytnthia Ozick (e.g., the flood or the Golem). Thirdly, modern myths in the fiction of G\u00fcnter Grass, Paul Auster or Clara Jan\u00e9s (e.g. Faust, the ghost, Ophelia). The volume also pays attention to the relationship between myth and art (its recurrence in contemporary advertising, painting and cinema) and to the intercultural aspect of myths: mestizaje in the Latin American novels of Augusto Roa Bastos and Carlos Fuentes, or in the Hindu-themed novels of Bharati Mukherjee.<\/p>\n

The compilation is the result of an exquisite selection of 37 texts among the more than 200 proposed for the International Symposium Myth and Subversion (Madrid, March 2011) by prestigious researchers from 25 countries.<\/p>\n

Index and Foreword<\/b><\/a><\/p>\n<\/div>\n

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Tiempo: texto e imagen. Temps: texte et image<\/a><\/strong>, Jos\u00e9 Manuel Losada Goya (ed.), Madrid, Universidad Complutense, 2011, 1194 p. ISBN: 978-84-96701-37-3<\/p>\n

Summary<\/strong><\/p>\n<\/div>\n

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This volume combines a reflection on temporality with an opening towards transversality and interculturality in French and Francophone studies. The studies contained in the book follow the following general thematic lines:<\/p>\n

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