{"id":2446,"date":"2025-06-13T07:11:35","date_gmt":"2025-06-13T07:11:35","guid":{"rendered":"https:\/\/josemanuellosada.com\/projects-and-groups"},"modified":"2026-06-29T18:53:49","modified_gmt":"2026-06-29T18:53:49","slug":"projects-and-groups","status":"publish","type":"page","link":"https:\/\/josemanuellosada.com\/en\/projects-and-groups","title":{"rendered":"Projects and groups"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Project Andr\u00f3meda<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_code _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<\/p>\n<style><!-- [et_pb_line_break_holder] -->  \/* ==========================================================================<!-- [et_pb_line_break_holder] -->     HOJA DE ESTILOS INYECTADA - SECCI\u00d3N MITOCR\u00cdTICA<!-- [et_pb_line_break_holder] -->     ========================================================================== *\/<!-- [et_pb_line_break_holder] --><!-- [et_pb_line_break_holder] -->  \/* Estructura de Tarjeta Global 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[et_pb_line_break_holder] -->  \/* Adaptaci\u00f3n M\u00f3vil *\/<!-- [et_pb_line_break_holder] -->  @media (max-width: 650px) {<!-- [et_pb_line_break_holder] -->    .proyecto-card {<!-- [et_pb_line_break_holder] -->      padding: 20px !important;<!-- [et_pb_line_break_holder] -->    }<!-- [et_pb_line_break_holder] -->    .proyecto-blocks-grid {<!-- [et_pb_line_break_holder] -->      grid-template-columns: 1fr !important;<!-- [et_pb_line_break_holder] -->      gap: 15px !important;<!-- [et_pb_line_break_holder] -->    }<!-- [et_pb_line_break_holder] -->  }<!-- [et_pb_line_break_holder] --><\/style>\n<p>[\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      <a href=\"https:\/\/acisgalatea.com\/english\/\" target=\"_blank\" rel=\"noopener\">The Andr\u00f3meda Project<\/a><br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Reference:<\/strong> PHS-2024\/PH-HUM-76 | <strong>Funding:<\/strong> The Community of Madrid | <strong>Coordination:<\/strong> ACIS Research Group (UCM)\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<p class=\"proyecto-text\">\n    The Andr\u00f3meda Project aims to analyze and understand the contemporary representations of ancient, medieval, and modern myths in Spain, Europe, and Latin America. Coordinated by ACIS (Myth Criticism Research Group at Universidad Complutense de Madrid), ANDR\u00d3MEDA centers its investigation on how myths reflect the identity and culture of our contemporary society.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Project Objectives<\/h3>\n<p class=\"proyecto-text\">The main objectives of the project comprise three primary areas of investigation:<\/p>\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>1. Analysis of Myths<\/strong><\/p>\n<p class=\"text-small\">Exploration of the fundamental components and basic structure of myths, including their imaginary elements (symbols and archetypes), conceptual elements (themes and mythemes), linguistic elements (narrative skill), and numinous elements (aspects of transcendence and sacredness).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>2. Study of Adaptation<\/strong><\/p>\n<p class=\"text-small\">Research into the evolution and reinterpretation of myths in different geographical locations and historical moments, paying special attention to Madrid as a strategic cultural bridge between Europe and Latin America.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>3. Social Impact Understanding<\/strong><\/p>\n<p class=\"text-small\">Identification of the ways in which myths allow us to comprehend our contemporary society, alongside an analysis of their cultural and social functions within diverse artistic expressions such as literature, music, and audiovisual arts.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Methodology and Interdisciplinary Approach<\/h3>\n<p class=\"proyecto-text\">\n    ANDR\u00d3MEDA relies on methodologies from numerous disciplines, such as cultural myth criticism, to deepen the analysis of myths; reader-response criticism, to analyze the public&#8217;s interpretation of art; and the semiotic perspective, to investigate the cognitive aspects linked to narratology.\n  <\/p>\n<h4 class=\"proyecto-minititle\">Collaboration and Consortium Resources<\/h4>\n<p class=\"proyecto-text\">\n    The consortium comprises research groups and associated entities that provide plural and transversal approaches bridging philology and cultural studies.\n  <\/p>\n<p class=\"proyecto-text font-highlight\">\n    ANDR\u00d3MEDA is formed by <strong>nine research groups<\/strong> from different Madrid-based universities: Universidad Complutense de Madrid (UCM), Universidad Aut\u00f3noma de Madrid (UAM), Universidad de Alcal\u00e1 (UAH), Universidad Francisco de Vitoria (UFV), and Universidad Villanueva (UV).\n  <\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Acis. Myth Criticism Research Group<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/ACIS.jpg&#8221; title_text=&#8221;ACIS&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;40%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      <a href=\"https:\/\/ucm.es\/acis\/\" target=\"_blank\" rel=\"noopener\">ACIS. Research Group in Myth Criticism<\/a><br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      Official UCM Research Group | Founded: October 28, 2009\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Core Objectives<\/h3>\n<p class=\"proyecto-text\">The group was established with three primary scientific and academic purposes in mind:<\/p>\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Theoretical &amp; Practical Study<\/strong><\/p>\n<p class=\"text-small\">Analysis of the reception of ancient, medieval, modern, and contemporary myths within contemporary literature, plastic arts, and performance.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Mythification Analysis<\/strong><\/p>\n<p class=\"text-small\">Detailed research into the active mythification processes experienced by individuals, historical events, and intellectual productions in contemporary society.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Training of Young Researchers<\/strong><\/p>\n<p class=\"text-small\">Mentoring and monitoring next-generation scholars to guarantee unchallengeable scientific quality in master\u2019s and doctoral theses, alongside specialized support to help them obtain local, national, and international scholarships.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Academic Activity and Institutional Scope<\/h3>\n<div class=\"proyecto-stats-panel\">\n<div class=\"stat-panel-item\">\n      <strong>Active Members<\/strong><\/p>\n<p>37 Researchers<\/p>\n<\/p><\/div>\n<div class=\"stat-panel-item\">\n      <strong>Departments<\/strong><\/p>\n<p>16 Areas<\/p>\n<\/p><\/div>\n<div class=\"stat-panel-item\">\n      <strong>Institutions<\/strong><\/p>\n<p>10 Faculties \/ 7 Universities<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<p class=\"proyecto-text\">\n    Since its foundation, ACIS has sustained a continuous academic presence, holding a specialized <strong>scientific seminar on myth criticism every month<\/strong>.\n  <\/p>\n<p class=\"proyecto-text\">\n    Furthermore, the group organizes a prominent annual outreach program consisting of a public <em>&#8220;Mythological Stroll&#8221;<\/em> celebrating the Science Week (<em>la Semana de la Ciencia<\/em>) in collaboration with the Community of Madrid. This public activity has enjoyed steady success across successive editions, drawing attention from local media channels.\n  <\/p>\n<div class=\"font-highlight\">\n    As of June 2010, ACIS has been selected and included in the <a href=\"http:\/\/www.campusmoncloa.es\/data\/pdf\/grupos-campus-moncloa\/Patrimonio.pdf\" target=\"_blank\" rel=\"noopener\">Campus of International Excellence (CEI)<\/a> under the specialized cluster <strong>&#8220;Cultural, Historical, and Artistic Heritage&#8221;<\/strong>.\n  <\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Official Quality Performance and Funding<\/h3>\n<p class=\"proyecto-text\">Official funding track record and official quality assessments issued by national evaluation bodies:<\/p>\n<div class=\"acis-table-responsive\">\n<table class=\"acis-table\">\n<thead>\n<tr>\n<th>Evaluation \/ Call<\/th>\n<th>Issuing Body &amp; Date<\/th>\n<th>Result \/ Amount<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>UCM Group Validation<\/strong><\/td>\n<td>Complutense University (12\/04\/2010)<\/td>\n<td><span class=\"status-positive\">Positive<\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>UCM Group Review<\/strong><\/td>\n<td>Complutense University (09\/07\/2012)<\/td>\n<td><span class=\"status-positive\">Positive<\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>National Research Assessment<\/strong><\/td>\n<td>National Research Agency (AEI) (09\/03\/2018)<\/td>\n<td><span class=\"status-good\">Good (84 \/ 100 pts)<\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>Official Call 2010<\/strong><\/td>\n<td>BOUCM n\u00ba 11 (Resol. 08\/08\/2011)<\/td>\n<td><span class=\"price-tag\">\u20ac5,238<\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>Official Call 2014<\/strong><\/td>\n<td>BOUCM n\u00ba 23 (Resol. 17\/11\/2014)<\/td>\n<td><span class=\"price-tag\">\u20ac2,881<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Asteria, International Association of Myth Criticism<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/Asteria-banner.jpg&#8221; title_text=&#8221;Asteria banner&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;40%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      <a href=\"https:\/\/asteriamyth.com\/en\/\" target=\"_blank\" rel=\"noopener\">Asteria. International Association for Myth Criticism<\/a><br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      International Academic Association\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<p class=\"proyecto-text\">\n    The main purpose of <a href=\"https:\/\/asteriamyth.com\/en\/\" target=\"_blank\" rel=\"noopener\">Asteria<\/a> is to promote, encourage, and support the study of myth criticism, focusing both on the development of new theoretical and epistemological tools to strengthen the discipline, and on the presence of classical, medieval, modern, and contemporary myths within literature as well as the plastic, performing, and audiovisual arts.\n  <\/p>\n<p class=\"proyecto-text\">\n    Furthermore, the association places significant emphasis on investigating the creation, evolution, disappearance, and overall impact of myths on our contemporary society.\n  <\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Amaltea. Journal of Myth Criticism<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/Amaltea.jpg&#8221; title_text=&#8221;Amaltea&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;40%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      <a href=\"https:\/\/revistas.ucm.es\/index.php\/AMAL\" target=\"_blank\" rel=\"noopener\">Amaltea. Journal of Myth Criticism<\/a><br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      Official Academic Journal | Edited by Universidad Complutense de Madrid\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<p class=\"proyecto-text\">\n    <a href=\"https:\/\/revistas.ucm.es\/index.php\/AMAL\" target=\"_blank\" rel=\"noopener\"><em>Amaltea<\/em><\/a> is an open-access peer-reviewed scientific journal dedicated to myth criticism. It provides, via the Internet and free of charge, an annual thematic issue focusing on the reception of ancient, medieval, and modern myths within contemporary Western literature.\n  <\/p>\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Official Languages<\/strong><\/p>\n<p class=\"text-small\">The journal accepts and publishes contributions in English, Spanish, and French.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Editorial Neutrality<\/strong><\/p>\n<p class=\"text-small\">Amaltea does not adhere to any single critical ideology, exclusively publishing original articles from diverse perspectives.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Quality Assurance<\/strong><\/p>\n<p class=\"text-small\">A rigorous and excellent editorial selection process guarantees the scientific quality and merit of all published papers.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Institutional Affiliation<\/strong><\/p>\n<p class=\"text-small\">The journal is officially published and supported by the Editorial Complutense.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;20px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #333399;\"><strong>Previous Projects<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Project Aglaya<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2022\/01\/Definitivo_Logotipo-Aglaya-06.png&#8221; title_text=&#8221;Definitivo_Logotipo Aglaya-06&#8243; align=&#8221;center&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;40%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      <a href=\"http:\/\/acisgalatea.com\/\" target=\"_blank\" rel=\"noopener\">AGLAYA. Innovation Strategies in Cultural Myth Criticism<\/a><br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Reference:<\/strong> H201\/HUM-5714 | <strong>Funding:<\/strong> The Community of Madrid &amp; The European Social Fund Plus | <strong>Duration:<\/strong> 01\/01\/2020 &#8211; 30\/04\/2023\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Project Objectives<\/h3>\n<p class=\"proyecto-text\">\n    The project &#8220;AGLAYA: Estrategias de Innovaci\u00f3n en Mitocr\u00edtica Cultural&#8221; aims to propose an innovative typology for myths and their modern imaginary correlations (such as fantasy, magic, animanga, and science fiction).\n  <\/p>\n<p class=\"proyecto-text\">\n    To achieve this goal, the research explores the setting of fictional worlds through their corresponding genres of expression (mythological, fantastical, magical, gothic, and science fiction) across literature, arts, and late-twentieth and twenty-first-century disciplines, including cinema, television shows, video games, comics, and animanga.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Participant Groups and Institutional Scope<\/h3>\n<p class=\"proyecto-text\">\n    AGLAYA relies on a deeply interdisciplinary approach, bridging literature, plastic and performing arts, cinema, video games, translation, communications, philosophy, epigraphy, and the history of religions.\n  <\/p>\n<div class=\"font-highlight\">\n    <strong>Network Diversity:<\/strong> The project consortium represents balanced demographics, comprising 65.16% women and 34.84% men, spanning across 12 countries and 36 universities worldwide.\n  <\/div>\n<p class=\"proyecto-text\" style=\"margin-top: 20px;\">\n    The project brings together <strong>157 integrated researchers<\/strong> structured around 13 beneficiary research groups:\n  <\/p>\n<p class=\"proyecto-text\" style=\"font-size: 14px; color: #64748b; font-style: italic; line-height: 1.5;\">\n    &#8220;Grupo de Investigaci\u00f3n de Mitocr\u00edtica&#8221; (Coordination), &#8220;Corpus Inscriptionum Latinarum&#8221;, &#8220;Estudios Rusos Complutenses&#8221;, &#8220;Estudios Transversales de Creaci\u00f3n Contempor\u00e1nea&#8221;, &#8220;Influencias de las \u00e9ticas griegas en la filosof\u00eda contempor\u00e1nea&#8221;, &#8220;Ecocr\u00edtica y Humanidades Ambientales&#8221;, &#8220;Historiograf\u00eda e Historia de las Religiones&#8221;, &#8220;Estructuras comunicativas e interacciones en los distintos niveles de la comunicaci\u00f3n&#8221;, &#8220;Innovaci\u00f3n y an\u00e1lisis de la imagen&#8221;, &#8220;Interculturalidad y Traductolog\u00eda&#8221;, &#8220;Po\u00e9ticas en Lengua Inglesa&#8221;, &#8220;Estudios de Recepci\u00f3n&#8221;, and &#8220;Estudios en Intermedialidad y Mediaci\u00f3n Intercultural&#8221;.\n  <\/p>\n<p class=\"proyecto-text\">\n    These groups are affiliated with seven prestigious Spanish universities: Universidad Complutense, Universidad de Alcal\u00e1, Universidad Aut\u00f3noma, Universidad Carlos III de Madrid, Universidad Francisco de Vitoria, Universidad Pontificia Comillas, and Universidad Antonio de Nebrija.\n  <\/p>\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Adhered Entities<\/strong><\/p>\n<p class=\"text-small\">21 Non-profit institutions and international entities (including ADIREL, ARYS, ASTERIA, AWM, Ayto. Pozuelo, CdG, CELEC, CLAI, CLE, CMS, CRLC, CUTAMC, FilEsp, FNC, GIREA, ICR, ISTA, PASTOR, PONS, SEEC, and SEyTA).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Corporate Partners<\/strong><\/p>\n<p class=\"text-small\">6 Major companies actively contributing to the transference of results (Brismar, C\u00e1mara de Comercio Hispano-Japonesa, FCE, Mediaset, Librer\u00eda Serendipia, and Smart Residences).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Consolidated Research Metrics &amp; Output<\/h3>\n<p class=\"proyecto-text\">The collaborative efforts within the network yielded outstanding metrics in training, academic mobility, research transfer, and knowledge dissemination:<\/p>\n<div class=\"resultados-grid\">\n<div class=\"resultado-box\">\n      <span class=\"resultado-num\">174<\/span><br \/>\n      <span class=\"resultado-label\">Directed Theses<\/span>\n    <\/div>\n<div class=\"resultado-box\">\n      <span class=\"resultado-num\">355<\/span><br \/>\n      <span class=\"resultado-label\">Academic Exchanges<\/span>\n    <\/div>\n<div class=\"resultado-box\">\n      <span class=\"resultado-num\">672<\/span><br \/>\n      <span class=\"resultado-label\">Project Participations<\/span>\n    <\/div>\n<div class=\"resultado-box\">\n      <span class=\"resultado-num\">598<\/span><br \/>\n      <span class=\"resultado-label\">Published Books<\/span>\n    <\/div>\n<div class=\"resultado-box\">\n      <span class=\"resultado-num\">3,338<\/span><br \/>\n      <span class=\"resultado-label\">Articles &amp; Chapters<\/span>\n    <\/div>\n<div class=\"resultado-box\">\n      <span class=\"resultado-num\">2,565<\/span><br \/>\n      <span class=\"resultado-label\">Congress Papers<\/span>\n    <\/div>\n<\/p><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Project Acis&amp;Galatea<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/josemanuellosada.com\/wp-content\/uploads\/2016\/07\/acisgalatea.png&#8221; title_text=&#8221;acis&#038;galatea&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;40%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      <a href=\"http:\/\/acisgalatea.com\/\" target=\"_blank\" rel=\"noopener\">ACIS&amp;GALATEA. Research Activities in Cultural Myth Criticism<\/a><br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Reference:<\/strong> H2015\/HUM-3362 | <strong>Funding:<\/strong> The Community of Madrid &amp; The European Social Fund Plus | <strong>Duration:<\/strong> 01\/01\/2016 &#8211; 30\/06\/2019\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Project Objectives<\/h3>\n<p class=\"proyecto-text\">\n    The general aim of the &#8220;Acis&amp;Galatea&#8221; project is to prove the intimate relationship between mythology and the cultural configuration of Madrid (both as a city and an autonomous community), Spain, and Europe within contemporary times (20th and 21st centuries).\n  <\/p>\n<p class=\"proyecto-text\">\n    To achieve this, the consortium conducts comprehensive studies of myths and legends through the lenses of popular celebrations, tourism, and the leisure and cultural industries. The specific objective is to determine the contemporary social impact of these mythical narratives on public festivities, industry trends, and environmental attitudes across different social strata and communities.\n  <\/p>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Participant Groups and Institutional Framework<\/h3>\n<p class=\"proyecto-text\">\n    The project features a fundamentally interdisciplinary framework, reflected both in the configuration of its integrated research units and the diverse media analyzed (literature, plastic, musical and performing arts, popular holidays, and celebrations).\n  <\/p>\n<div class=\"font-highlight\">\n    <strong>Consortium Demographics:<\/strong> The network maintains a strong focus on diversity, comprising 66.95% women and 33.05% men, representing 10 different countries and 30 distinct universities.\n  <\/div>\n<p class=\"proyecto-text\" style=\"margin-top: 20px;\">\n    The project consortium is integrated by <strong>10 beneficiary research groups<\/strong> based in the Region of Madrid:\n  <\/p>\n<p class=\"proyecto-text\" style=\"font-size: 14px; color: #64748b; font-style: italic; line-height: 1.5;\">\n    ACIS (Myth Criticism Research Group), CIL II (Corpus Inscriptionum Latinarum), ETICASGRIEGAS (Greek Ethics&#8217; Influences on Contemporary Philosophy), GIAP (Popular Patrimony and Cultures Research Group), GIECO (Ecocriticism), IAI (Innovation and Image Analysis), INTRA (Studies of Discourses and Texts for Interpretation and Translation), POETICS (Poetics in the English Language), RECEPTION (Reception Studies Research Group), and SIIM (Intermediality and Cultural Mediation Studies).\n  <\/p>\n<p class=\"proyecto-text\">\n    These groups are hosted across leading institutions: Universidad Complutense (3), Universidad de Alcal\u00e1 (3), Universidad Aut\u00f3noma de Madrid (1), Universidad Francisco de Vitoria (1), Universidad Pontificia Comillas (1), and the Spanish National Research Council \u2014 CSIC (1).\n  <\/p>\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Associated Groups<\/strong><\/p>\n<p class=\"text-small\">CLE (Universit\u00e9 de Lausanne), CRLC (Universit\u00e9 Paris-Sorbonne), and EFI (Universidad de Zaragoza).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Associations &amp; Foundations<\/strong><\/p>\n<p class=\"text-small\">6 Adhered academic associations (ADIREL, ARTE, ASTERIA, AWM, CLAI, and SEEC) and 2 specialized cultural institutions (PASTOR Foundation and PONS Foundation).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Corporate Partners<\/strong><\/p>\n<p class=\"text-small\">3 Private companies actively supporting results transfer and outreach: BRISMAR, LIBFRAN, and NORA.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Associated Researchers (DORIS)<\/strong><\/p>\n<p class=\"text-small\">5 International external scholars connected under the official regional gazette framework (B.O.C.M. n\u00ba 176): R. Gualberto, J.-J. Wunenburger, M\u00aa J. Mart\u00edn, L.A. P\u00e9rez, and H. Jennings.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>New Shapes of Myths: an Interdisciplinary Methodology<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\"><a href=\"http:\/\/www.ucm.es\/actea\" target=\"_blank\" rel=\"noopener\">New Shapes of Myths: An Interdisciplinary Methodology<\/a><\/h2>\n<p class=\"proyecto-meta\"><strong>Reference:<\/strong> FFI 2012-32594 | <strong>Funding:<\/strong> Ministry of Economy and Competitiveness | <strong>Duration:<\/strong> 2012 &#8211; 2015<\/p>\n<\/div>\n<hr class=\"proyecto-divider\" \/>\n<h3 class=\"proyecto-subtitle\">Presentation<\/h3>\n<p class=\"proyecto-text font-highlight\">This is a <strong>large-scale project<\/strong> featuring the active participation of <strong>37 researchers<\/strong> from numerous academic specialties.<\/p>\n<hr class=\"proyecto-divider\" \/>\n<h3 class=\"proyecto-subtitle\">Scientific Proposal<\/h3>\n<p class=\"proyecto-text\">The primary aim of this project is to articulate an innovative methodology for myth criticism that allows for a comprehensive study of myths within contemporary culture. Among the high-social-impact factors that actively influence the production and modification of myths, the project focuses specifically on three core axes: <strong>globalization, immanence, and consumerism<\/strong>.<\/p>\n<p class=\"proyecto-text\" style=\"font-weight: bold; color: #0f172a; margin-bottom: 10px;\">Significant shifts in contemporary mythological culture:<\/p>\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item-simple\">\n<p><span class=\"block-marker\">\u25aa<\/span><\/p>\n<p class=\"text-small\" style=\"color: #475569;\">A considerable modification in the reception and dissemination processes of ancient, medieval, and modern myths.<\/p>\n<\/div>\n<div class=\"block-item-simple\">\n<p><span class=\"block-marker\">\u25aa<\/span><\/p>\n<p class=\"text-small\" style=\"color: #475569;\">The active promotion of an emerging new mythology that directly coexists alongside traditional heritage.<\/p>\n<\/div>\n<\/div>\n<p class=\"proyecto-text\" style=\"margin-top: 20px;\">Due to these cultural shifts, traditional methodologies in myth criticism have become insufficient. Consequently, there is a clear need for a renewed methodological framework that\u2014without dismissing previous academic achievements\u2014can account for contemporary myths and showcase them as key interpretive keys to understanding modern society.<\/p>\n<div class=\"proyecto-blocks-grid\" style=\"margin-top: 25px;\">\n<div class=\"block-item\">\n<p><span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p><strong>Methodological Requirements<\/strong><\/p>\n<p class=\"text-small\">It establishes an interdisciplinary approach that unifies literary theory, art history, and fine arts, while interfacing with human and social sciences\u2014specifically sociology, anthropology, and economics.<\/p>\n<\/div>\n<\/div>\n<div class=\"block-item\">\n<p><span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n<p><strong>Team Structure &amp; Expertise<\/strong><\/p>\n<p class=\"text-small\">The team balances seasoned myth criticism scholars utilizing established models to analyze various artistic expressions, alongside specialists in communication, sociology, and economics providing cross-disciplinary insights.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p class=\"proyecto-text text-conclusion\"><strong>Expected Outcome:<\/strong> The creation of a groundbreaking methodology for myth criticism, currently unprecedented in the international academic landscape, designed to decipher the complexity of contemporary myths and their modern manifestations.<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Mythological Contemporary Anthropology\u00a0<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      <a href=\"http:\/\/www.ucm.es\/info\/amaltea\/inicio.html\" target=\"_blank\" rel=\"noopener\">Contemporary Mythical Anthropology<\/a><br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Reference:<\/strong> HUM2007-62226 | <strong>Funding:<\/strong> Ministry of Education and Science | <strong>Duration:<\/strong> 2007 &#8211; 2011\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Presentation<\/h3>\n<p class=\"proyecto-text\">\n    This was a high-impact research project coordinating <strong>30 researchers<\/strong> from diverse academic specialties, actively incorporating 10 young professors and 15 postgraduate students. The network successfully analyzed the reception of ancient, medieval, and modern myths within 20th-century European literature.\n  <\/p>\n<p class=\"proyecto-text\">\n    The main results of this research can be consulted in the collective volume <em>Mito y mundo contempor\u00e1neo<\/em> (available in the books section).\n  <\/p>\n<div class=\"proyecto-congreso-box\">\n    <span class=\"congreso-badge\">Project Milestone<\/span><\/p>\n<p style=\"margin: 0; font-size: 14.5px; line-height: 1.6; color: #334155; text-align: justify;\">\n      The project culminated in the <strong>1st International Congress of Myth Criticism: Myth and Subversion in the Contemporary Novel<\/strong> (March 2011), gathering 90 specialists from 25 countries. The official proceedings, featuring a selection of the peer-reviewed papers, were published under the title <em>Myth and Subversion in the Contemporary Novel<\/em>.\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Scientific Proposal<\/h3>\n<p class=\"proyecto-text\">\n    The project delves deeply into the reception and evolution of myths from the late 19th century to the present day. Taking literature (novel, theater, and poetry) as a unique testimony of the archetypes, symbols, and core myths that shape human thought and the imaginary world, the concept of myth is approached through all its valid critical dimensions (philosophical, cultural, ethnological, religious, psychoanalytical, and linguistic).\n  <\/p>\n<h4 class=\"proyecto-minititle\">Priority Areas of Investigation<\/h4>\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Inherited &amp; Traditional Myths<\/strong><\/p>\n<p class=\"text-small\">Comprehensive study focused on classical antiquity (such as Narcissus, Phaedra, and Orpheus) alongside the great medieval and modern mythical figures (Faust, Don Juan).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"block-item\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<div class=\"block-content\">\n        <strong>Alternative Mythical Formulations<\/strong><\/p>\n<p class=\"text-small\">Analysis of philosophical frameworks (the eternal return), religious narratives (the Holy Grail), literary archetypes (el Cid), or socio-political myths (empire, Marxism).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p class=\"proyecto-text\" style=\"margin-top: 20px;\">\n    Just as in ancient and early modern times, contemporary authors continue to employ mythical images to express human aporias and desires. They do so critically, fragmentedly, or subversively, but never in the same manner as previous eras.\n  <\/p>\n<p class=\"proyecto-text font-highlight\" style=\"margin-top: 25px;\">\n    <strong>Core Aim:<\/strong> To discern the specific modes of adaptation (translation, version, rejection, subversion) of myths into the contemporary mentality, identifying which narratives remain operative for modern society, why certain myths lose their cultural functionality, and how others undergo a modern remodeling to reflect contemporary illusions and frustrations.\n  <\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #000080;\"><strong>Comparative and Reasoned Bibliography of the French-Spanish Literature of the 17th Century<\/strong><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_color=&#8221;#faf4e9&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_css_main_element=&#8221;border-radius: 30px;||box-shadow: 10px 10px 10px rgba(0,0,0,.1);&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Texto anchura 95%&#8221; _builder_version=&#8221;4.27.4&#8243; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;95%&#8221; custom_margin=&#8221;|||30px&#8221; hover_enabled=&#8221;0&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"proyecto-card\">\n<div class=\"proyecto-header-box\">\n<h2 class=\"proyecto-title\">\n      Preparation of a Comparative and Annotated Bibliography of French-Spanish Literature in the 17th Century<br \/>\n    <\/h2>\n<p class=\"proyecto-meta\">\n      <strong>Reference:<\/strong> PS91-0182 | <strong>Funding:<\/strong> Ministry of Education and Science | <strong>Duration:<\/strong> 1992 &#8211; 1995\n    <\/p>\n<\/p><\/div>\n<hr class=\"proyecto-divider\">\n<h3 class=\"proyecto-subtitle\">Research Results and Methodological Impact<\/h3>\n<p class=\"proyecto-text\">\n    The rigorous collation of <strong>516 volumes<\/strong> examining the bilateral cultural relations between Spain and France resulted in the definitive monograph: <a href=\"https:\/\/josemanuellosada.com\/en\/books\" target=\"_blank\" rel=\"noopener\"><em>Bibliographie critique de la litt\u00e9rature espagnole en France au XVIIe si\u00e8cle. Pr\u00e9sence et influence<\/em><\/a>.\n  <\/p>\n<p class=\"proyecto-text\">\n    This work fundamentally challenged the widespread consensus among contemporary critics, who had previously deemed it impossible to establish an exhaustive, rational, and critical map of literary relations between two nations. By dedicating four-fifths of its entirety to theoretical and critical reflection, this monograph pioneered a brand-new conception of the bibliographic genre.\n  <\/p>\n<h4 class=\"proyecto-minititle\">International Critical Reception<\/h4>\n<p class=\"proyecto-text\">\n    The innovative nature of the methodology and the significance of its findings transformed this work into an academic milestone for intercultural studies. This impact is reflected in extensive reviews published across the world&#8217;s most prestigious scientific journals:\n  <\/p>\n<div class=\"proyecto-blocks-grid\">\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<p class=\"text-small\"><em>Literary Research, Revista de Literatura, Modern Language Review, Revue de Litt\u00e9rature Compar\u00e9e.<\/em><\/p>\n<\/p><\/div>\n<div class=\"block-item-simple\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<p class=\"text-small\"><em>Les Lettres Romanes, Studi Francesi, XVIIe Si\u00e8cle, Bulletin of Hispanic Studies.<\/em><\/p>\n<\/p><\/div>\n<div class=\"block-item-simple\" style=\"grid-column: span 2;\">\n      <span class=\"block-marker\">\u25aa<\/span><\/p>\n<p class=\"text-small\"><em>Hispanic Review, Papers on French Seventeenth Century Literature,<\/em> among other globally recognized publications.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<p class=\"proyecto-text text-conclusion\">\n    As a testament to its enduring scientific value, this volume is currently cataloged and held in the collections of the <strong>leading academic libraries worldwide<\/strong>.\n  <\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Project Andr\u00f3meda The Andr\u00f3meda Project Reference: PHS-2024\/PH-HUM-76 | Funding: The Community of Madrid | Coordination: ACIS Research Group (UCM) The Andr\u00f3meda Project aims to analyze and understand the contemporary representations of ancient, medieval, and modern myths in Spain, Europe, and Latin America. Coordinated by ACIS (Myth Criticism Research Group at Universidad Complutense de Madrid), ANDR\u00d3MEDA [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2446","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Projects and groups - Jos\u00e9 Manuel Losada<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/josemanuellosada.com\/en\/projects-and-groups\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Projects and groups - Jos\u00e9 Manuel Losada\" \/>\n<meta property=\"og:description\" content=\"Project Andr\u00f3meda The Andr\u00f3meda Project Reference: PHS-2024\/PH-HUM-76 | Funding: The Community of Madrid | Coordination: ACIS Research Group (UCM) The Andr\u00f3meda Project aims to analyze and understand the contemporary representations of ancient, medieval, and modern myths in Spain, Europe, and Latin America. 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